Cuộc Săn Lùng Quái Vật - Phần 2: Thuồng Luồng Biển Sepron tải về miễn phí cuốn sách

Marta Peres martaperes — Novela de ambientación histórica, con protagonistas que acumulan peripecias y desventuras, entretenida pero sin grandes ambiciones. Se agradece el esfuerzo en la documentación y la sencillez de estilo, pero adolece de irregularidad.

Masafumi Fuse masafumi — Clarissa had a theory in those days - they had heaps of theories, always theories, as young people have. It was to explain the feeling they had of dissatisfaction; not knowing people; not being known. For how could they know each other? You met every day; then not for six months, or years. It was unsatisfactory, they agreed, how little one knew people. But she said, sitting on the bus going up Shaftesbury Avenue, she felt herself everywhere; not 'here, here, here'; and she tapped the back of the seat; but everywhere. She waved her hand, going up Shaftesbury Avenue. She was all that. So that to know her, or any one, one must seek out the people who completed them; even the places. Odd affinities she had with people she had never spoken to, some woman in the street, some man behind a counter - even trees, or barns. It ended in a transcendental theory which, with her horror of death, allowed her to believe, or say that she believed (for all her scepticism), that since our apparitions, the part of us which appears, are so momentary compared with the other, the unseen part of us, which spreads wide, the unseen might survive, be recovered somehow attached to this person or that, or even haunting places, after death. Perhaps - perhaps. Since it was a very hot night and the paper boys went by with placards proclaiming in huge red letters that there was a heat-wave, wicker chairs were placed on the hotel steps and there, sipping, smoking, detached gentlemen sat. Peter Walsh sat there. One might fancy that day, the London day, was just beginning. Like a woman who had slipped off her print dress and white apron to array herself in blue and pearls, the day changed, put off stuff, took gauze, changed to evening, and with the same sigh of exhilaration that a woman breathes, tumbling petticoats on the floor, it too shed dust, heat, colour; the traffic thinned; motor cars, tinkling, darting, succeeded the lumber of vans; and here and there among the thick foliage of the squares an intense light hung. I resign, the evening seemed to say, as it paled and faded above the battlements and prominences, moulded, pointed, of hotel, flat, and block of shops, I fade, she was beginning, I disappear, but London would have none of it, and rushed her bayonets into the sky, pinioned her, constrained her to partnership in her revelry. LOVE the car going down Bond Street: Passers-by who, of course, stopped and stared, had just time to see a face of the very greatest importance against the dove-grey upholstery, before a male hand drew the blind and there was nothing to be seen except a square of dove grey. Yet rumours were at once in circulation from the middle of Bond Street to Oxford Street on one side, to Atkinson's scent shop on the other, passing invisibly, inaudibly, like a cloud, swift, veil-like upon hills, falling indeed with something of a cloud's sudden sobriety and stillness upon faces which a second before had been utterly disorderly. But now mystery had brushed them with her wing; they had heard the voice of authority; the spirit of religion was abroad with her eyes bandaged tight and her lips gaping wide. But nobody knew whose face had been seen. Was it the Prince of Wales's, the Queen's the Prime Minister's? Whose face was it? Nobody knew. (...) The car had gone, but it had left a slight ripple which flowed through glove shops and hat shops and tailors' shops on both sides of Bond Street. For thirty seconds all heads were inclined the same way - to the window. (...) Something so trifling in single instances that no mathematical instrument, though capable of transmitting shocks in China, could register the vibration; yet in its fulness rather formidable and in its common appeal emotional; for in all the hat shops and tailors' shops strangers looked at each other and thought of the dead; of the flag; of Empire. In a public house in a back street a Colonial insulted the House of Windsor which led to words, broken beer glasses, and a general shindy, which echoed strangely across the way in the ears of girls buying white underlinen threaded with pure white ribbon for their weddings. For the surface agitation of the passing car as it sunk grazed something very profound." Only connect ---------- For Woolf, the external event is significant primarily for the way it triggers and releases the inner life. While an exterior incident or perception may be only a brief flash of chronological time, its impact upon the individual consciousness may have a much greater duration and meaning. Like other modernist writers experimenting with the representation of consciousness, Woolf was interested in capturing the flux of random associations. In addition, she wanted to understand how half-buried memories and interpretations created mood. Elaine Showalter, introduction to Mrs Dalloway.

Amandine Chazottes amandinechazottes — Almost didn't read it based on the irksome cover, but I'm glad I did. The Good: Sex, sex, sex The Bad: Sex, sex, sex View it as an erotic sample of the author's naughty writings and all will be well. Analyze it for well-developed romance and pout. This is an enjoyable buffer book. Rest your brain cells inbetween great books and count the orgasms.

Andrew Van andrewvandermerwe — Completely put things under a new light for me. Each chapter leaves you with either a "I can't believe I didn't see it there before!" or a "Oh NOW I get it!" face. It does a great job showing the audience a little bit of every religion.

Bruno Pereira brunojfper31a7 — Just trying this thing out, get back to ya in a bit...

李 洪梅 1512258236555d8 — Wow! I couldnt put this one down.