Cuốn Sách Số 1 Về Làm Việc tải về miễn phí cuốn sách

Prathamesh Parab prathameshe595 — Still totally tripping from Brooks merging the Running with The Demons series with Shannara. Still pissed that the first Brooks book to be made into a motion picture is Landover not Sword of Shanara. These books are really well written but this trilogy lacks the fantasy epicness of Shannara and the hard core apocalypse now of The Word and the Void books. Still, plan on reading Gypsy Morph as soon as it comes my way. What i think i'ld like to do is read the whole of it chronologically instead of how it was written...starting with Running with the Demon, ending with what would it be....the Voyage of the Jerle Shannara? Hmm. have to dig up my Shannara books and figure that out. That would be somthing like 25 books. Hmm. Maybe when i retire.

Mario Kay lovedesigns — In an early review of Steve Church’s book, one critic, while giving it overall decent marks, ruminates at length on the author’s note, musings charged with skepticism, concern—even alarm—at implications he thinks the note points to—he goes so far as to question whether the death of Church’s brother actually happened (the line, “This is not a book of fact. This is a story,” really freaks him out). He needn’t have taken umbrage at Church’s cavalier dismissal of objectivity, however: the note merely serves as a funny disclaimer as to the fallibility of a subjective rendition of the “truth.” Church circumvents the problem of unknowable or fuzzy facets of nonfiction via speculation, a euphemism for "making stuff up, however ridiculous or improbable." Church uses speculation to open up creative potential and get at larger issues of truth. He essentially employs fiction within nonfiction, but he’s very above-board with it: in other words, he alerts the reader, not just with the author’s note at the beginning, but also with qualifiers within the text (“I wonder if…” or “Sometimes I imagine…” etc.). He’s able to address much through this technique, from wild, fantastical flights for creative effect to heartfelt questing for meaning. The Guiness Book riffs serve as organizing elements (literary glue, if you will) as well as thematic augmenters (e.g. Steve’s awkwardness and difficulty in coming to terms with the world are reflected in his musings on the freaks of Guiness). What might prove gimmicky in the hands of someone else acts as an interesting portal into the psyche of the author. The book is organized around the central chapter, “Danger Boys, World’s Greatest,” wherein the emotional heft of the story resides in Church’s efforts to deal with the death of his brother as well as the complicated dynamic between his brother, father, and himself. Ambiguity remains at the end of his search for meaning, but for Church, it’s the questing that’s important—any answers he stumbles across are gravy.

Brianna Ostrowski briannaostrowski — What happens when a very sharp woman finds herself in partnership with a failed detective only to discover that the detective was never quite what he claimed to be? What happens when that same failed detective commits suicide and leaves that detective agency to that same woman? Can she operate under the methodological standards her deceased partner has given her, vicarious words of wisdom from James’ other protagonist, Chief Superintendent Adam Dalgleish? My impression is that a very satisfying tale unwinds, twisting and turning through an upper class English family that keeps the proverbial stiff upper lip rather too well. To paraphrase the bard, something appears to have a rank scent in Cambridge. James’ protagonist, Cordelia Grey has to move from the clear-cut suicide of her former partner into the murky world of an apparently clear suicide by the son of a famous biologist. In scrutinizing the scene for the cause of said suicide, she wanders between the sheltered academic world of the Cambridge colleges and the inveterate concern for funds in the scientific research community. Somewhere, either in the demesne of the dons or the laboratory of the learned, is a secret that could illuminate this inexplicable death of a young man who seemed to be at peace. Of course, part of the beauty of this novel is the tightrope James walks between playing off gender vulnerability with her new protagonist (at least, at the time of the writing of this first book in the series) and celebrating gender competence in Cordelia’s courage and cleverness. The cliché of gender weakness is overcome by heroic effort on several occasions without losing the femininity and humanity of this protagonist who seems both genuinely attractive and unwilling to risk authentic intimacy. I’m looking forward to reading more in the series. I want to know what becomes of this admirable woman, her detective agency, and any relationships she might sustain. Somehow, James has put together the best elements of her police procedurals with Dalgleish and classic private detective stories to give us something fresh at the same time it offers something familiar. There are no wisecracking gumshoes here, but there is plenty of suspense and flavor.

Xavier Bravo mangazon — this book is changing the way i look and think about what i eat and what the meat and dairy industries are doing to our bodies and our health. it may make you vegan (its working on me)...