Định Mức Dự Toán Xây Dựng Công Trình - Phần Xây Dựng tải về miễn phí cuốn sách

Jeff Stark jeffnstarke692 — This is a follow-up to Michael Byrnes's first book, "The Sacred Bones". In "The Sacred Bones", we left Charlotte Hennesey examining what was thought to be the bones of Jesus Christ. We find that Charlotte is dying from terminal cancer and DNA was extracted from the bones and injected into Charlotte. She goes into total remission and is "miraculously" cured. Rabbi Aaron Cohen, a descendent of the biblical Aaron, and his family have been the guardians of the Ark of the Covenant. A lttle "Raiders of the Lost Ark" music please. Rabbi Cohen wants to place the Ark on the Dome of the Rock to unleash its awesome power. Unfortunately Rabbi Cohn cannot touch the Ark because through the years his bloodline is not pure, and only one who is pure can touch the Ark. Charlotte, whose blood is now purified by the DNA of Jesus Christ, is kidnapped by the Rabbi. None of this however goes unnoticed by the Israelis and Muslims. Both sides are trying to figure out what is going on and how they can take advantage of it. The Catholic Church has also been a player since "The Sacred Bones" and continues in "The Sacred Blood". There is a priest who is a traitor to the Vatican, and also becomes a confidant of Charlotte. The showdown comes when Charlotte must open the Ark of the Covenant. The opening of the Ark may not be as dramatic as in "The Raiders of the Lost Ark", but does purport that it is something not to be fooled around with. This is a good read if not taken too seriously. There is some good biblical history in the book mixed in with a lot of suppositions.

Tony Walker gospatric — I literally just closed this book and figured I may as well quickly sum it up before it becomes forgettable to me. Which it most definitely will. Although, if I need to call on something to help me remember, I guess I could think of Maureen Johnson's 13 Little Blue Envelopes I(which I highly enjoyed) because this book seemed to borrow heavily on that concept. After walking in on her boyfriend making out with another girl, Jessa finds herself in the uncomfortable position of joining them, along with other classmates, on a trip to Italy. Jessa has decided that she is going to wallow throughout this trip rather than make the most of it. Enter Carissa, writer of Jessa's 20 envelopes containing examples of why Jessa's ex sucks. Each envelope has a reason and instructions for some un-Jessa-like thing for her to do as a follow up. Sound familiar? It certainly did to me! I had several problems with this story (in addition to the obvious similarities of Maureen Johson's novels). I disliked the constant references to Broadway musicals. It seems that Jessa (yes, a theater kid) defines and sets her moods to different Broadway musicals. While I do know many of the ones that were referenced throughout the book, I feel that constantly referring to certain shows, characters or songs might be a bit out of touch for many teens. Especially those who don't have an interest in that type of music. Also - and may I enter now that this will contain a brief and pretty insignificant SPOILER - the whole brief kiss with the hot/young/clearly-has-boundary-issues teacher just felt very cliche. I knew it was going to inevitably happen and yet that didn't stop the very dramatic eye-roll that it produced. Lastly, Jessa's character just wasn't that enjoyable to me. While Culbertson clearly had a character who was going through something that everyone experiences, she still wasn't relatable and I didn't sympathize too much with her. I kind of wanted to tell Jessa enough already - get over it. Her character was constantly attention-grabbing and pretty much cast a pal over the trip to Italy. Boring. It took every ounce of energy just to will myself into finishing it. Which I did quickly because I really didn't want to have to talk myself into opening it partway through to finish it.