Hình Thành Lòng Tự Tin Cho Trẻ tải về miễn phí cuốn sách

Goran Jokic goranjokic — Uno de los pocos libros que puedo leer de nuevo y nunca me canso de él. Totalmente vale la pena leer!

Lea Küchler leakuechler — These kept me occupied for hours. upon hours. upon hours. seriously.

Ismael Saldivar ismael_aldivar — This was slightly more technical than I was expecting based on what I had heard about it, but not too hard to read. certainly not a beach book, but it's also not too depressing.

William Ash williamlfash — Almost a week later, I'm still pondering the ending of Beatrice and Virgil, the most recent novel by Life of Pi author Yann Martel. For Pi alums, that won't entirely surprise you. To me, a book that grabs you on the first page, keeps you moving steadily and with increasing intensity, shocks and surprises and offers you intriguing glimpses into an array of human endeavors, and then leaves you rather gratified yet stunned and moved at the end: All that rolled into one spells one fine book. Here, Martel returns to his explorations of inter-textuality and of our human drive to recreate our messy lives in somewhat tidier or at least more fathomable stories. And again we begin in one fictional reality and then journey with his central character, in this case a writer named Henry who echoes Martel himself, into an allegorical world of uncertainty, challenge, wry humor, and even violence, and finally return to a reality parallel to our own to reflect on the horrors that leach into our workaday lives no matter how carefully we strive to deflect them. And it will come as no surprise that in his attempt to bring renewed immediacy to literature of the Holocaust, Martel reaches back to the Absurdists to frame some of his allegorical commentary. The world within a world here is not a high-seas adventure as in Life of Pi, but rather a Beckettian play starring a donkey and a howler monkey within the frame of a writer's attempt to recreate his life in a foreign city when his writing career stalls. The questions Martel explores with us include a Life of Pi-esque focus on the cruelty of humans toward not only their own species but toward all other animals as well. Yet what makes all the difference here is protagonist Henry's central question: How might one write about the Holocaust in a manner that offers the philosophical & historical depth of an essay and the freshness of narrative fiction? Beatrice and Virgil acts as a vehicle to explore this question, and although certainly we see some comparable concerns and devices to those in Life of Pi, neither the intention nor the result is in any way similar. When it was first released, some critics railed at the very thought of a non-Jew writing a book attempting - in any way - to address the Holocaust. If you are willing to move beyond that concern to embrace a novel that respects its content but takes a unique tack in attempting to make us re-see an ever-present and understandably oft-treated topic, then you would do well to set aside a few hours for Beatrice and Virgil. In my estimation, better to stretch toward greatness on a challenging subject than to set one's writerly sights low and create a neatly constructed but depthless work In truth, saying any more than this would spoil your potential experience of Beatrice and Virgil, and I want you to read it. To transform your life and change the world with every book you read - whether you loved it or not, learn more about Action Reading by visiting me at http://whatsheread.blogspot.com.