Hệ Thống Lí Thuyết Và Phân Loại Bài Tập Vật Lí 12 Dưới Dạng Sơ Đồ Kiến Thức (Tài Liệu Sử Dụng Ôn Thi Tốt Nghiệp THPT Và Tuyển Sinh Đại Học, Cao Đẳng) tải về miễn phí cuốn sách

Ivana Tkalcic pricaosvjetlu — This homage to Dumas was an absolute joy to read. The "author," Paarfi of Roundwood, narrates events with a pedantic insistence. His longwinded style does not slow the pacing of the work, oddly enough. The tales of chivalry and courtly behavior, intrigue and romance, that form the basis for this great story leap off the page. You'll be quoting from this book for some time to come. "Well, you perceive how, in practicing, he strikes only at the air." "That is not unusual, when preparing for a contest" "No, and yet he seems to miss with every third stroke."

Ramish Safa _afa_obin — I really enjoy lively details. There's nothing better than knowing an author has really thought about her characters and situations, and come up with some surprising and delightful detail that makes the whole reading experience fuller. Lively details, you understand -- pointless details are a nightmare to read. I don't need to know that Bella ate a granola bar for breakfast. I REALLY DON'T. (Notice that I remembered the granola bar. I think this is partly because I was fervently hoping it would have significance. Like, she would spectacularly choke on her oatmeal the next day and think, "AH, I should have had a granola bar like yesterday!") "Show, don't tell" is not the be-all-and-end-all of writing. There's a little thing called summary narrative. It's beautiful; it facilitates plot progression without having to follow your narrator through 24-fucking-hours of a day... and "watch" as she eats a fucking granola bar for breakfast. I've seen this novel accused of Mary Sue-ism and um, yeah, any character named Isabella Swan seems destined to be a Mary Sue. But honestly, I wouldn't begrudge a semi-autobiographical story if it actually had any of the realism of autobiography. All the high school/teenage stuff honestly made me boggle. Because... that's not what high school is like! That's not what being seventeen is like! Twilight reads like... well, it reads like a thirtysomething who has no recollection of being 17. Bella has all the emotional maturity of a 32-year-old and that's just not remotely believable. Meyer is not a bad writer. She has the ability to string words together. Unfortunately, she lacks any kind of flair. There was no original description; no truly evocative language. Twilight reads like Meyer has read a lot of mediocre novels and regurgitated the same kind of language onto the page. There is just nothing exciting to the language. The dialogue is awful: not only uninspiring and lacking in wit, but... it's all the same! There's no difference in speech patterns to the characters; no awareness of personal tics. The characterization is wafer-thin (see above, re: Mary Sue). The plotting is terrible: the novel trundles along at a slow pace for 250 pages and then Meyer seems to suddenly realize she needs a climax and the gears shift abruptly and the reader is caught up in a series of ridiculous contrivances that set up Meyer's final set-piece (which, by the way, I saw coming a mile away). This is such a profoundly antifeminist novel. And it's funny, because I think Meyer has no idea that it's antifeminist. I mean, she has a female heroine! A heroine who reads Austen and writes essays about misogyny in Shakespeare! Surely she's kicking butt for all womankind. Um... no. She cooks, she cleans, she looks after the man in her life! She needs male characters to protect her from the big, bad, scary world! She falls headfirst into a disturbingly dysfunctional relationship with a man 90 years her senior without the slightest amount of worry! Seriously. Bella/Edward. What's that all about? I don't get the attraction. He has her in his thrall. She is, let me quote, "unconditionally and irrevocably" in love with him -- and after, like, a week. o__O She's consumed by him; she's willing to sacrifice her life for him, and that's... romantic? I just think it's a bit sick, really. You know what I find romantic? Human warmth. Not sweeping, dramatic statements of everlasting and overarching love. Little, sweet moments of connection that ring true. That's something Twilight's apparently epic love story is sorely lacking in. (Did I say Bella has the emotional maturity of a 32-year-old? Well, except when it comes to Edward. There she has the emotional maturity of a dumb dog.)

Motasem Abusaif mabusaif45044a — Pulsating with Goddess symbolism, Tess of the D'Urbervilles would make Jane Austen blush and indeed was considered risque for it's time (late 1800s). Yet with its themes of women's spirituality, sexuality, connection to the earth, and class struggles, the book is more relevant today than ever. I recommend it for anyone interested in women's issues or people who love the classics but are looking for something with a lot more depth. Warning: you'll need to carry a dictionary with you to translate Hardy's sophisticated vocabulary and capacious references to the classics.

Junh Fwang fwangxx — A re-read. I read this book in school, and again in my 20's. The themes presented are interesting.