Sau Mưa tải về miễn phí cuốn sách

Giulia Tomas _iulia_omas — Kitap ilk 100 sayfa için oldukça ilginçti. Kitap, kredinin kökenini, ne zaman iyi ve ne zaman olmadığını açıklar. Kredi ile 'piramitler' inşa etmenin benzetmesi özellikle ilginçtir. Kitabın son yarısı borç reddinden bahsediyor ve oldukça sıkıcı bir okuma. Ayrıca kitabın tonu beni biraz rahatsız ediyor. Yazarın sık sık alaycı mı yoksa ciddi mi olduğunu söyleyemem. Ayrıca, çalışma gerçek bir kitaptan ziyade bir bilinç akışı gibi akar.

W Dm Dm wdm186 — Este es, con mucho, el mejor libro que he leído en el último año. Chabon tiene la capacidad de escribir y crear escenas que sean vívidas, sorprendentes y realistas. El libro es largo, pero me quedé con ganas de que continuara, con las líneas de trama bellamente entrelazadas golpeando pináculos en momentos contrastantes y los personajes mostrando formas humanas verdaderas.

Lorena Olmos arq_lorena_olmos — This is one that will probably live on my bedside table alongside "Markings" so I can refer to it over and over again... essentially a collection of quotes from Paramahansa Yogananda.

Lídia Freitas lidiafreitas — one of the best books i've ever read. go you good thing tom robbins. interesting read on so many levels. made me check out the likes of the beat generation in america (dharma bums, etc) awesome! thanks for the refreshing prose. much needed. xo

Elizabeth Sloan liz0113 — Good story - too long for my style of reading and the story itself didn't deserve this many pages.

Kim Miseong m_se0ng — Cerebral, yet accessible, Old Glory is difficult to peg in terms of genre. Travel narrative approaches, but any classification would fall well short of the mark. Raban incorporates history, mesmerizing descriptive prose, biographical morsels, and sparse but welcome bits of dry British wit in this journey through America atop its longest river. In fact, Raban's Englishness is part of what makes the book so appealing. You see America, warts and all, from the eyes of an intrepid and analytical outsider. Raban is a stylist who reveals himself to the reader slowly. I found him to be a very interesting, complex, and slightly tortured figure. He is nearly as intriguing as the voyage itself. Never again will I look at the Mississippi River as just some long line on a map. The whirlpools, the logs, the dangers; always moving atop and into the unknown on a vessel ridiculously undersized and unsuited for such a trip; a metaphor, certainly. In terms of writing style, there cannot be many better than Jonathan Raban. Here's a writer, you think, you will come back to.