Tài Liệu Hướng Dẫn Quy Trình Kỹ Thuật Ngoại Khoa, Chuyên Khoa Phẫu Thuật Gan Mật, Cột Sống, Tim Mạch, Lồng Ngực, Chấn Thương Chỉnh Hình, Thần Kinh, Tiêu Hóa Và Các Dự Án Chủ Động Dự Phòng, Phát Hiện Sớm, Chẩn Đoán, Điều Trị Những Bệnh Lý Khác tải về miễn phí cuốn sách

Jess S jessicasaidian — I became addicted to this book like crackmonasticicane. What I mean is, large chunks of medieval Papist theology notwithstanding, this book was responsible for a renewed passion for long novels. I picked up this book for a medium lame reason - it is THE ECO, MASTER OF SEMIOTICS. Plus I wanted to impress my old professors. Just kidding. Sort of. One frustrating aspect about this book is the translation from the Italian, although I believe I read the definitive English edition. Clauses like "he moved rapidly across the garden" were grating for me at first, used to poetry which is concise and explicit. Did he run? Frolic? Caper? Gambol? But I slowly began to like its slow ambiguity, the tone echoed the ancient Biblical discursive texts which were at the center of the novel. I stayed in at least twice on weekends to read it. It is ultimately a murder mystery, almost (gasp) of the Dan Brown persuasion. I don't feel particularly more knowledgeable about linguistical signs. But it did tease out a pleasurable, gratifying reading experience, after a bumpy start.

Amir El amirelharbe — I didnt not enjoy the book because i was not interested in it. however, there was one good thing about it. It helped me go to sleep. so if ur having trouble sleeping, READ THIS BOOK!!

Jacqueline Koh kohjacqueline — Richard Laymon’s 1988 tale “Midnight’s Lair” was his 28th full length novel to be published. The tale concerns a group of thirty sightseers who take an organised tour around an underground cavern named Mordock’s Cave. During their guided tour, the power fails due to a fire breaking out within the hotel that is located directly above the cavern. The cave is submerged into total darkness, with the tourists left stranded underground. Soon the storyline takes a turn for the more macabre, with gore-fuled horror waiting for these prone individuals. The story starts off in the style of a character driven disaster tale, until before long the storyline takes a swerve towards a much more grotesque and horrifying scenario. As with the vast majority of Laymon’s novels, “Midnight’s Lair” involves two main storylines that run parallel to each other. As the plot continues, the storylines merge, bringing with them a truly horrifying reality. The tale has many similarities to Neil Marshall’s 2005 horror flick “The Descent”. Obviously Laymon’s novel predates this film but quite some time. To be honest, I wouldn’t be surprised if “Midnight’s Lair” wasn’t the original inspiration for the film. Written with Laymon’s usual fast-paced, action packed, no holds bared style of writing, you’ll find the novel difficult to put down at any point, with the next horrifying event just around the next corner. The plot builds well, with regular references to past events that create a well constructed and cleverly developed story. Laymon uses multiple subplots throughout the tale, often revolving around individual characters that are amongst those trapped within the cave. This was achieved with detailed and beautifully developed characterisation that really draws the reader into the plot. With the storyline drawing to a conclusion, Laymon throws in some all out splatterpunk that gives Shaun Hutson or even James Herbert a run for their money. The grand finale to “Midnight’s Lair” really shows the bottomless depths to Laymon’s dark and twisted imagination. This is 253 pages of pure splatterpunk heaven, delivering classic Laymon horror with a no holds barred approach and a reflection of his truly twisted imagination. Absolutely great stuff!