Tô Màu Động Vật - Song Ngữ Anh - Việt (Tập 2) tải về miễn phí cuốn sách

Eva Lagnim allamingalac81 — Girl power, empowerment and rebellion - packaged to sell.

유 한솔 usonamoo — I picked this one up mainly because I was curious to see exactly how one performs psychotherapy on a two-year-old. The child in this case, a Swedish boy named Victor, had lost his mother and baby brother in a car accident, and he and his father were foundering. The book describes clearly and in great detail how, through play therapy, and with the support of his father and extended family, little Victor came to terms with his loss. The therapist was herself often overwhelmed emotionally during the sessions, and the reader might be too, because it was all so tragic and Victor was so brave. He would be around thirteen or so now, I believe. The book ends with an update on him at the age of six, as a happy, healthy first-grader. I hope he is still happy today.

Anne Grueter annegrueter — "Naomi Replansky's poetry rings with reality and wisdom, and it is always song. Her observant, political wit and gravity are as piercing and as necessary now as ever – and I would say more so . . . her voice and her way of reading are among the very best we have." —Jean Valentine "Naomi Replansky is a major American poet, long overdue for acclaim. She writes skillfully, both in and out of strict form, crafting lines carefully, with concision and rare intensity. Her poems are the real thing; her collected work of a lifetime deserves the widest possible hearing." —X. J. Kennedy "Here in a book, the work of a life. All the poet Naomi Replansky is here: the dry, quiet voice, the incantatory and familiar rhythms that are never quite what you think they are, the wit, the touch of comfort, and the tongue-lash, the modesty that entirely frees her from trend, and the audacity – above all the audacity, the risk-taking, the nerve of the woman! These poems bear honest witness to what it was to be alive, really alive, in the twentieth century, and I turn to them again and again for courage to face the dark opening of the twenty-first." —Ursula Le Guin "The free and savvy poems of Naomi Replansky soar, in a speech that urgently affirms a strength we've almost forgotten we have. Clear as water and as necessary, they quicken our solitary selves. The light pulse of their instantly shared energy shows us each other and joins us in our eagerness to speak out as they do, against confusion. They are bold and embolden us. We hear the true polis alive under the dirty air of truthless ping and we participate in its power. To participate in power is freedom, Cicero says. These poems, proposing sixty years of a free woman's song, wake us up to it. Their cadences and claims uncover the given world and make us think. We do so willingly because the beat they keep is the rhythm of the heart." —Marie Ponsot