Thức Tỉnh Mục Đích Sống (Tái Bản 2016) tải về miễn phí cuốn sách

Réka Pintér 8cube — Good book. Love the series.

Simone Simone 21_hang — Gordon Korman wrote a favorite kids' book of mine entitled "No More Dead Dogs" about a boy who is tired of reading about dead dogs. Well, this boy would like to extend that idea towards dead relatives too. Give me abduction, abandonment, illness, abuse, amputation. Just don't give me another book about a loved one six feet in the ground! If you couldn't tell, I think I may be becoming insensitive toward the genre because, for the life of me, I could not get into this one. I think it was a very sensitive portrayal of a boy going through the grieving process, and the first-person narration sounded authentic, not too wise and not too child-like. But I needed more from the plot because it felt way too long and meandering, bordering on mopey. The narrative needed some driving force because the invisibility angle felt underdeveloped. I didn't want to keep reading. I just wanted it to end. The illustrations felt out of place and didn't look like they were done by a middle-schooler, unlike the "Wimpy Kid" series pictures. My indifference to the book might be because I just finished a similar story, "Bird," about a boy coping with the death of a loved one. That book was much more efficient and heartfelt for me. I don't know. Maybe I need a break from the genre. Or maybe this book needed a better edit. Or perhaps I need a more powerful sensitivity chip implanted in my brain. Or maybe the answer is all three.

Michael Gueth michaelgueth — از مهم‌ترین ویژگی‌های سبکی نجدی، استفاده از امکانات جهان‌های زیرشمول عبارات اشاری است، بدین صورت که با عقب و جلو کردن زمان و مکان و گاهی ضمایر به ایجاد جهان‌های داستانی نو دست می‌زند. در داستان “سپرده به زمین”، در بخشی از داستان که ملیحه خطاب به طاهر می‌گوید که به بیرون از خانه سرکی بکشد، کلمه “بیرون” حواس طاهر را خاطره‌ای در گذشته می‌برد، اما این خاطره از زبان راوی به صورت سوم شخص بیان می‌شود. و با جمله‌ی ملیحه طاهر و راوی هر دو از فضای آن خاطره (عقب‌رفت) بیرون می‌آیند. این خاطره که یک جهان زیرشمول است، به ساخت بخشی از داستان می‌پردازد که شخصیت‌گستر و صحنه‌گستر است. درواقع، تغییر ضمیر اشاری و مکان روایی و همچنین زمان روایی با تغییر یک جهان به جهان دیگر رخ می‌دهد و روایت داستانی شکل می‌گیرد. http://fa.shahrgon.com/index.php?opti...