Thuở Bình Minh Tân Nhạc tải về miễn phí cuốn sách

Anderson J andersonjpedrosa — Bu kitap için hedef pazar olduğumu düşünmüyorum. Tam zamanlı bir romancıyım, henüz tam zamanlı para kazanmadığım için kocamın lütfuyla, ve bu kadar çok "yenilik yapma" baskısıyla mücadele etmem gerekmiyor (en çok?) çalışanlar kavga eder. Kitaplarımı göndermek konusunda rahatım; Zaman zaman kesinlikle direnç hissediyorum ama Steven Pressfield'ın "Sanat Savaşı" bu konuda bana daha yardımcı oluyor. Seth'in blogunu seviyorum, ama bana göre bu kitap zaten kendi başlarına olmayan insanlar için. İnsanların kitaplarım hakkında ne düşündüklerinden korkmalarına izin vermemeyi hatırlatmak için onları değiştirmeme izin vereceğim, ancak kendi başına yayınlanan bir yazar olarak şu anda bununla çok fazla mücadele etmiyorum. Yine de kısa bir kitap ama durumumu düşünmemi sağladı ve bu her zaman iyi.

Sumer Sayan sumersayanjewellery — Creepy, but captivating

Lucien Alexander _uka_ — Interesting, would have been much better if he had just written it like a normal book and left out the multi-perspective/non-linear/symbols. Seemed like a reach, like he was doing it just to be different.

Khaye Zapatero khayezapatero — A good history - of a Twentieth Century tragedy. A very strong sense of the Hungarian experience conveyed. It needs better maps, though!

Samira Entesari _amira_ntesari — This was super depressing from the opening on. I liked the descriptions of wartime in Southeast Asia (super evocative), but even though the main characters were mostly likable and quite righteous, I had trouble keeping many of the secondary characters straight and I just didn't like the way so many of them were introduced but then went away without factoring in to the plot... meh.

Michal Gašparík gasparikmichal — Camus’ last novel to be published during his lifetime (two others were published after his death), The Fall is the confession of self-appointed “judge-penitent” Jean-Baptiste Clamence. He tells his story to a stranger in a bar in post-war Amsterdam, beginning with his background as a successful and honorable defense lawyer (working on behalf of widows and orphans) in Paris. Through a series of random events, Clamence is exposed to his own hypocrisy and thus initiates what becomes a purposeful self-undoing as he attempts to bring his world into alignment with his own deep and human flaws. The once-great man pulls at the string of his inner failings to surely unravel his world and take charge of his own expulsion from his false Eden. As we listen in astonishment, we are confronted with the price of hubris and challenged by the weight of personal responsibility in a dark world where innocence is lost and rules are nonexistent.