Truyện Cổ Tích Màu Vàng tải về miễn phí cuốn sách

Uhrig Diseños u_d — I never really pick up books before reading peoples'reviews of them and such, but with this particular series i took a chance based on the the front image and the jacket. the first 2 books, need and captivate, respectively are really good too, but this third one was great!!! there is something about this series that draws you in...it's almost addictive and i'm not sure why...but i don't care! and although i liked nick well enough, i have to say astley is amazing. despite zara being near obsessed with getting nick back from valhalla, putting all her family and friends in danger, and ignoring the heartfelt advances of astley, this book delivers. there is another book in the series to come out, not sure if it's the last but i think so. i really hope zara wakes up and recognizes that astley is the answer and that if she truly wants to keep people safe she will have to be with him for good. i think she might feel this way already but i'll have to wait for the next book. highly recommended series!!!

Facelook Company facelook — Any interesting behind-the-scenes look at administrations from Carter to Dubya.

Laurie Chipman lauriec6fa — For anyone who loves Music, Rolling Stones Magazine, Hollywood gossip, or just an inside look into the heads of Musicians it's a must read. Really fascinating. Written in an interview style. Pretty long read.

Daniel Yonge yongedaniel — Get Shorty was a great film; Be Cool was not. Leonard's novel was a better followup than the resulting Travolta-Thurman flick, and my impressions of it as a sequel are based on having seen Get Shorty but not having read it. Be Cool is standard Elmore Leonard -- 300 pages of crime hijinks, sex, guns, and one badass being more badass than the other badasses and saying badass things while he's at it. Into this mix toss an indictment of the record industry -- the slimy promoters, the mercurial loyalties of talent and management alike, the raw deals that come out of otherwise perfectly reasonable expectations -- some gangster rappers living too close to their own lyrics, and some Russian Mobsters and you've got Be Cool. Good times. On the other hand, some of it echoes Get Shorty (the movie, at least, not that it matters) a bit too strongly -- Chili Palmer runs afoul of a black guy thinks he's bigger fish than he is (Bo Catlett in Shorty, Raji in Cool), who has some muscle (Bear, who used to be in pictures, now Elliott, who wants to be) but whom is won over by Palmer and tosses his former boss off a building. It's striking that these archetypes come right back into Chili's life. It's also weird that Leonard seems to have modeled Elliott directly after Dwayne "The Rock" Johnson, who ended up playing the character in the movie: half-black, half-Samoan, and his signature move is the Single-Eyebrow-Raise. Elliott is gay, though, and I don't think Mr. The Rock swings that way. Chili Palmer himself seems to be a sociopath. His every action is motivated by his desire to see how it plays out, can he use the result in a movie? instead of by concern for or interest in the people involved. And he is almost certainly not John Travolta. His apparent badassery is less about confidence and swagger than about a complete lack of interest in consequences. He's a shark.