Hoya Harit từ Karacadağ/Konya, Turkey

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05/08/2024

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Hoya Harit Sách lại (10)

2018-07-23 18:30

Giáo Trình Lịch Sử Đảng Cộng Sản Việt Nam - Tái bản 08/08/2008 Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Nhiều Tác Giả

** spoiler alert ** I think I've read every other Jane Austen, and all of the rest I would give five stars.....but not this one. Sorry to all you Jane Austen fanatics. I give kudos to Jane Austen for actually developing a protagonist that is slightly more scatterbrained and less independent than her usual character, but I got bogged down in the constant stream of Bathe parties and endless conversation that went completely nowhere. I know this is all underlying commentary on her view of society at this time, but it was a little much. I kept wanting the book to go somewhere and it just can kind of mulled in that same spot, over and over again. And of course, Catherine gets the guy in the end, but you get the impression, he only offers his hand in marriage after his father has sent her away and told the young man not to have anything to do with her, and he feels guilty and suddenly discovers that he might have "feelings" for her. On a lighter note, I would not suggest reading an Austen novel at the same time succumbing to secret desires and allowing yourself to read something contemporary like a Sookie Stackhouse Vampire series. The pristine, etiquette world of Austen vs the sex and fang world of Harris tends to bend the brain a bit, making Austen difficult to read, like suddenly you need the OED and a translator to get through a sentence.

2018-07-23 19:30

Đặc Khảo Về Dân Nhạc Ở Việt Nam Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Phạm Duy

I doubt anything I can say about the series and this book in particular will make you read it or any of the others. I think there are those who refuse to pick up this just because of some preconceived notion they have. And then there are your die-hard fans. Those who love anything Diana Gabaldon writes. I'm some were in the middle. I haven't loved all the books, but am amazed at the talent portrayed in them. I was worried were the story was going after the last two novels. I knew we had to hit a point were the action would pick up again, but I didn't know if it would be enough to compel me forward. The first 500 pages are much like the previous two books. It's all about the details. But, I could tell the tension was building. The date on the newspaper was approaching as was the pending war with England. And then the last 500 pages just exploded. There's murder, theft, kidnapping, and many other things. It reminded me of the adventures in the first three books. I was anxious to see how all the pieces fit together. I was also happy to see some things settled the way the should be. So for those who have felt the series has faltered a little and haven't read this one yet, I would recommend it. I would say it's my 3rd favorite of the series (I know right it the middle, but it's hard to beat Outlander and Voyager). And, if you haven't even started this series yet, I urge you to give it a try!

2018-07-24 01:30

Đừng Nói Chuyện Với Cô Ấy - Tập 2 Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Ngộ Cẩn

I was recently culling my ridiculous and impossible ‘To Be Read’ list on GoodReads, removing books that I’d been vaguely interested in maybe one day reading and leaving only those that I was legitimately wanting to read. Michael Cunningham’s A Home at the End of the World was the first book on the newly revised TBR that my library had on the shelf, I remember adding it very soon after seeing and enjoying the film adaptation. A Home at the End of the World is an intimate, but heartbreaking, story of a close friendship between two young men in the 1970s and 1980s, and how they find and create belonging, love and family set through the 1970s and 1980s. The two main characters are introduced at a young age, each living in Cleveland in the 1970s and having their idyllic childhood changed by a death in their families and shaped by the different types of grief each boy has to come to terms with in his formative years. Jonathan’s parents experience a miscarriage, altering the relationship between his parents and him, while Bobby’s adored older brother is involved in a terrible accident. The boys don’t cross paths until early adolescence, where they bond over drugs and music, and first third of the novel is highly evocative in its portrayal of childhood, adolescence and friendship. Throughout, the narrative switches between Bobby and Jonathan, and later Clare, and, somewhat unusually, Jonathan’s mother Alice. Having this parental perspective during the tumultuous and confused teenage years is an interesting addition, as we get some insight into how she is viewing, absorbing, involving herself and reacting to her son’s growing up. Jonathan later moves to New York and continues to find and grow into himself. Bobby remains in Cleveland, living and becoming close with Jonathan’s parents. While in New York, Jonathan meets the older, somewhat damaged but still uniquely glamourous Clare and the two of them form a close friendship on the premise of having a baby together, despite Jonathan’s sexuality. When Bobby moves to the city, the three form a close knit non-traditional, but mostly happy family unit that has an element of underlying and unspoken tension. Bobby and Clare start a relationship, and eventually Clare falls pregnant with the child she always dreamed of, leaving Jonathan feeling like something of an outsider in his own ‘family.’ We’d hoped vaguely to fall in love but hadn’t worried much about it, because we’d thought we had all the time in the world. Love had seemed so final, and so dull–love was what ruined our parents. Love had delivered them to a life of mortgage payments and household repairs; to unglamorous jobs and the fluorescent aisles of a supermarket at two in the afternoon. We’d hoped for love of a different kind, love that knew and forgave our human frailty but did not miniaturize our grander ideas of ourselves. It sounds possible. If we didn’t rush or grab, if we didn’t panic, a love both challenging and nurturing might appear. Despite the intense emotions at play here, the novel is almost unsentimental about how these characters fit in and interact with the world. The writing is spare, upfront and honest about feelings of helplessness, hopelessness, sadness and desire for more in an assured manner that never loses sight of the vulnerability of these people. Switching between the points of view of four major characters gives us a view into how confused these characters are, and how their self delusions make them human. There are many moments throughout A Home at the End of the World where the point of view narrative structure works to reveal that as close as these relationships appear to the outside world, they remain separate individuals with hidden aspects of their personalities and self that they refuse to show or share. The novel is permeated with the intrusion of death, with the final third of the book taking place at Bobby, Clare and Jonathan’s house near Woodstock with their young daughter, where they come to care for one of Jonathan’s ex-lovers who is dying of AIDS. Where both Bobby and Jonathan had to deal with grief and death in their early childhoods, here the presence of mortality leads to self realization about themselves. Ultimately, the novel is about coming to term with one’s position in the world, forging meaning and belonging where one can, creating a family unit and finding love in a mostly indifferent world.

2018-07-24 03:30

Chúng Mình Đi Đâu Thế? - Khám Phá Nước Mỹ Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Dang Zhexi Office

Achtung: Für alle die den ersten Teil „The Iron King (dt. Plötzlich Fee – Sommernacht)“ noch nicht gelesen haben, könnte diese Rezension Spoiler enthalten! Meghan’s Leben hat sich für immer verändert. Zwar war sie schon immer in gewisser Weise eine Außenseiterin, doch jetzt fühlt sie sich verlorener den je. Zur Hälfte Mensch, zur Hälfe Feenprinzessin, steht sie zwischen zwei Welten. Als Gefangene der Winterkönigin Mab kann sie niemandem an diesem eiskalten und trügerischem Hof vertrauen. Und auch ihre Feenkräfte lassen sie immer mehr im Stich. Während ein Krieg zwischen den Sommer- und Winterfeen aufzuziehen beginnt, ist Meghan die Einzige, die erkennt, was dahinter steckt. Doch niemand schenkt ihren Geschichten über die Iron Fey Glauben, magische Geschöpfe, die selbst die Grausamkeit von Mab in den Schatten stellen. Einzig Winterprinz Ash könnte Megahn’s Geschichte bestätigen, aber seit ihrer Ankunft an Mab’s Hof hat sie ihn nie wieder gesprochen… Hat er sie wirklich verlassen? Während Meghan versucht den aufziehenden Krieg zu verhindern und das gestohlene Zepter der Jahreszeiten zurückzuholen, begibt sie sich in große Gefahr und muss ihr Leben sogar einem Verräter anvertrauen, wohlwissend, dass dies für sie tödlich enden könnte… Bei „The Iron Daughter“ handelt es sich um den zweiten Teil der „Iron Fey„-Reihe der amerikanischen Autorin Julie Kagawa. Wie bereits der erste Teil präsentiert sich auch dieser Band mit einem farblich wirklich sehr schönen Cover, wobei sowohl Schrift als auch das Rankenmuster – welches sich auch innerhalb des Buches fortsetzt – in einer Art Reliefprint aufgedruckt sind. Doch nicht nur das Cover weißt Ähnlichkeiten zum ersten Band auf, auch in Sachen Handlung erweist sich „The Iron Daughter“ als ebenso fesselnd wie sein Vorgänger. Kagawa gelingt es, den Leser von der ersten Seite an zu begeistern. Ihr sehr leichter, fließender Schreibstil zieht einen unwiderruflich immer tiefer in eine äußerlich wunderschöne, magische Welt, die jedoch, lüftet man den Schleier, voller Dunkelheit und Gefahren steckt. Gefangen am Hof der Winterfeen, an dem Emotionen und Gefühle als Schwäche gelten, muss Meghan mehr den je darauf achten, sich in Zaum zu halten. Doch die plötzliche Kälte, die ihr von Ash, ihrer großen Liebe, entgegenschlägt, kann sie nur schwer ertragen. Die Gefühle zwischen den beiden, Meghan und Ash, ziehen sich wie ein roter Faden durch das gesamte Buch, ohne sich jedoch allzu sehr in den Vordergrund drängen zu wollen. Der Autorin gelingt es, das zarte Band zwischen ihnen, das noch nicht gänzlich zerrissen ist, sehr einfühlsam und doch glaubhaft darzustellen. Doch hat diese Beziehung wirklich eine Chance? Bereits im ersten Band hat sich eine Art Dreiecksbeziehung angekündigt, und genau diese führt Kagawa hier gekonnt fort. Und schnell ist klar, dass Meghan sich ihrer Gefühle selbst nicht sicher ist… Meghan, Ash und Puck – sie alle gewinnen in diesem Band an Tiefe, Einblicke in ihre Vergangenheit und Gefühlswelt machen einige vorangegangene Reaktionen verständlicher, glaubhafter. Alle besitzen sie liebenswerte Seiten, aber auch Eigenschaften, die sie alles andere als perfekt wirken lassen. Und genau dies macht sie so ungemein sympathisch. Die eigentliche Handlung verläuft spannend, mit dramaturgischen Höhen und Tiefen, und nur ein oder zwei ruhigere Momente geben dem Leser kurz Zeit, wieder zu Atem zu kommen. „The Iron Daughter“ ist eine mehr als gelungene Fortsetzung der „Iron Fey„-Reihe, voller Spannung, Dramatik und Gefühl, mit ganz wunderbaren Charakteren und definitiv einen Blick wert.

Người đọc Hoya Harit từ Karacadağ/Konya, Turkey

Người dùng coi những cuốn sách này là thú vị nhất trong năm 2017-2018, ban biên tập của cổng thông tin "Thư viện Sách hướng dẫn" khuyến cáo rằng tất cả các độc giả sẽ làm quen với văn học này.