Pixel Malo từ Lions Bay, BC, Canada

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11/06/2024

Dữ liệu người dùng, đánh giá và đề xuất cho sách

Pixel Malo Sách lại (11)

2018-12-24 12:30

Tuyển Tập Truyện Ngắn Hay Việt Nam Dành Cho Thiếu Nhi - Tập 1 Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Nhiều tác giả

عنوان فارسی کتاب "تجزیه و تحلیل موسیقی برای جوانان" هست. کتاب از بخش های مختلفی تشکیل شده و نوسینده در هر بخش سعی کرده مفاهیم اساسی موسیقی را تبیین کنه. به طور کلی خوندن کتاب برای کسایی که آشنایی کمی با موسیقی دارن میتونه جالب باشه. به نظر من پیئستگی مطالب کتاب خیلی خوب نیست. حالا این موضوع ممکنه به دلیل ترجمه کتاب باشه و یا اینکه از اطلاعات کم من در مورد موسیقی نشات بگیره. موضوع مهم دیگه اینه که مسلما مفاهیم کتاب عمدتاً مربوط به فرمهای موسیقی کلاسیک هستند و اگر چه بعضی از مفاهیم در همه انواع موسیقی مشترک هستند ولی نویسنده موسیقی کلاسیک را عمدتاً تجزیه و تحلیل کرده. یکی از نقاط قوت کتاب اینه که بخش ها کاملا ساده نوشته شدن و این فهم مطالب را آسون میکنه. فکر میکنم خیلی خوبه که کتابهای آموزش مفاهیم موسیقی با نوار یا سی دی اگه همراه باشه اثر خیلی بهتری داره و من نمیدونم نسخه اصلی کتاب چنین چیزی داشته یا نه.

2018-12-24 13:30

Truyện Cổ Anđecxen (Trọn Bộ 4 Tập) Thư viện Sách hướng dẫn

Sách được viết bởi Bởi:

This is an excellent first novel--a witty, literate tale with great characters--that grabs you from the opening line: "The shovel has to meet certain requirements." A man who calls himself David Loogan arrives in Ann Arbor, Michigan, and on a whim, submits a story to Gray Streets, a literary crime journal. The magazine's editor, Tom Kristoll, is impressed with Loogan's abilities and persuades him to come to work as an editor for the magazine. In short order, David and Tom become close friends. Loogan is also drawn to Kristoll's attractive, sexy wife, Laura. The feeling is mutual, and before long, David and Laura are having an affair. Then Tom is murdered and pitched through the window of his office. (Well, bad things DO happen.) Tom is actually the second person to die under mysterious circumstances and before long, people are dropping left and right. David is determined to discover who killed his friend and to get to the bottom of the widening mystery. So is Elizabeth Waishkey, an attractive and very talented Ann Arbor detective. Elizabeth is also anxious to unravel the mystery of David Loogan, a man who seems to have no past and no obvious means of support. Before long, Loogan becomes the prime suspect in at least some of the murders, but Elizabeth is obviously attracted to him and is not at all certain about his guilt. The relationship that unfolds between the two of them is one of the most compelling parts of the book. The story ultimately takes a number of very clever twists and turns that leave the reader practically gasping for breath. They will also make you turn the pages as fast as you possibly can as you get to the end of what turns out to be a great ride.

2018-12-24 15:30

Phép Thuật Trắng Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Laurie Faria Stolarz

There is a scene in Molière’s Le Bourgeois Gentilhomme in which Monsieur Jourdain, an uneducated but wealthy tradesman determined to improve his social standing, returns from a lesson with his philosophy master utterly entranced with a new discovery. He has, he pompously informs his wife, spent his life speaking prose! Prose! His more grounded wife counters that the only thing she has heard him speak recently is “total rubbish” but he departs more self-satisfied than ever. It is a hilarious scene in which Molière ruthlessly mocks Jordaine’s pretentious predilection for fancy notions over substance. I start this review with this anecdote because one of the responses I hear most often in relation to Seeing Stars, is that it “isn’t really poetry, is it.” Such nonsense! As if form were more important than content! As if Jourdaine could become a gentleman simply by knowing the form in which he speaks. Whether Seeing Stars is conveyed in a form that more closely resembles poetry or prose is largely irrelevant. What matters is whether it has an effect on the individual reading it, and Seeing Stars is, for me, a collection of rather wonderful and moving vignettes that its author, or rather one of his collage of narrators, handily refers to as ‘story-poems’. These story-poems combine narrative drive and plot twists with awareness of language, pacing, and the impact of an odd transgression mid-line. In this hybrid form, Armitage excels. There is a performance quality to the work. Armitage debuted many of these pieces at readings for a couple of years before publishing Seeing Stars and that gently lulling Yorkshire accent is apparent even when reading on the page. If there is a focus, it is on the substantial over the stylish, the meaningful over the meaningless. Armitage has a sneer for those “critics, sponsors, trustees, rich benefactors and famous names”, for whom art is canapés, champagne and glamorous receptions. Seeing Stars is their antithesis: an intimate and memorable chorus that suggests that often the most meaningful things in life are the least dramatic. The title itself, and the works contained, conjure connotations of awe-struck wonder at the majesty of life, of punch-drunk shock at things gone wrong, of the flat disappointment that comes with encountering a celebrity who turns out to be just like everyone else, who cannot transform everyday monotony into something spectacular. Seeing Stars is gritty, surreal, tender, and often hilarious. In ‘Last Words’ a woman who has been mortally wounded by a spider makes a last phone call and finds herself conversing with a similarly dying man stranded at sea. In ‘The Christening’ a sperm whale sites ‘finders keepers’ as justification for the British Crown continuing to own the Elgin Marbles and in ‘Seeing Stars’ an injudicious remark by a pharmacist to his customer results in a nasty altercation that leaves him reeling. One of the more poignant passages comes in ‘The English Astronaut’ when the narrator follows an astronaut to a Little Chef on the A1 and watches him stare out of the window at the busy road, never at the sky. “…And his face was not the moon. And his hands were not the hands of a man who had held between finger and thumb the blue planet, and lifted it up to his watchmaker’s eye.” In many ways, Seeing Stars most closely reminds me of a collection of Murakami short stories, where the fantastical and the mundane exist together, overlapping and interpreting each other and emotional states are elucidated through grandiose experiences. However, where Seeing Stars differs is in the liberal use of satire and farce. These reverential experiences are never allowed to become too heartfelt before Armitage’s wicked, pen cuts them down a peg or two. There are many laugh-out-loud lines, and some exemplary first lines: “I hadn’t meant to go grave robbing with Richard Dawkins but he can be very persuasive.” ‘The Experience’ “I fear for the long-term commercial viability of the new Christian cheese shop in our neighbourhood.” ‘Cheeses of Nazareth’ How could you not wish to read on after these? Armitage casts an absurd eye over various aspects of life that might otherwise become too heartfelt. In ‘The Delegates’, he lambastes consumerist waste, in ‘Bringing It All Back Home’ he turns the cult of celebrity on himself, recalling Googling his own name and imagining participating in the Simon Armitage Trail, a guided-tour of his life where the turnout is ‘woundingly low’. Family interactions, Thatcherism and the perception of Yorkshire in the wider world all intwine. This is an entertainment rich, content conscious collection that works on many levels and provides a satisfying reading experience. In substance it is full of ideas and humour and wry glances into the sort of poignant, absurd, contradictory lives we live and have always lived.

2020-05-03 05:19

Đừng Làm Nhân Viên Nổi Khùng Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: James Adonis

La realidad de esta historia es cruda e inalterada; Esto fue especialmente claro al final cuando literalmente pude sentir a Seierstad esperando y deseando que las cosas hubieran sido diferentes, especialmente para Leila. Debido a que este libro se sintió como una novela en todo momento, casi creí que al final encontraría una manera de encajar perfectamente. No estoy seguro de cómo me siento acerca de la decisión de Seierstad de retirarse y contar esta historia de una manera novedosa. Si bien es una gran lectura, también se presta para ser interpretada como ficción y me hace preguntarme si podrían inventarse algunos pequeños pensamientos que tienen estos personajes. Por otro lado, un estudio de caso o una serie de entrevistas no tendrían el mismo efecto emocional y no serían leídos por la misma audiencia. En cualquier caso, no creo que ella haya tomado una decisión "incorrecta", como parecen pensar algunos críticos: es más que se podría haber escrito un libro muy diferente de lo que ella escribió y los diferentes lectores lo hubieran preferido. Yo soy un lector de ficción en el fondo, aunque incursiono en mucha no ficción, y creo que Seierstad es honesta en este libro: después de todo, es una periodista profesional e hizo su tarea viviendo con la familia Khan. . Temas: Irán, Islam, cultura, religión, dictadura, guerra, terrorismo, mujeres, pobreza, miedo, familia.

Người đọc Pixel Malo từ Lions Bay, BC, Canada

Người dùng coi những cuốn sách này là thú vị nhất trong năm 2017-2018, ban biên tập của cổng thông tin "Thư viện Sách hướng dẫn" khuyến cáo rằng tất cả các độc giả sẽ làm quen với văn học này.