Jennifer Healy từ Fortitude Valley QLD , Australia

_ennifer_ealy

11/22/2024

Dữ liệu người dùng, đánh giá và đề xuất cho sách

Jennifer Healy Sách lại (10)

2019-02-02 02:30

Du Học Nhật Bản Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Phi Hoa

Another fun, warm fuzzy.

2019-02-02 03:30

Chuyện Tình Các Danh Nhân Việt Nam - Tập 2 Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Lê Minh Quốc

Pretty obvious things, decent stories..... just ok.

2019-02-02 04:30

Hướng Dẫn Thực Hành Khắc Phục Sự Cố Và Tối Ưu Hóa Microsoft Windows 8 Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: VL - Comp

When ever I come to names such as “Llosa”, “Borges”, “Cortazar”, “Fuentes”... I wish I knew Spanish language, as I’m sure works by these authors would have a different aroma and melody in their own tongues. Llosa is, for me, one of the greatest story tellers, whose works give me deliciousness in Persian as well, (if it’s translated by Abdollah Kowsari, for example). Mario Bargas Llosa uses a highly sophisticated techniques with a very delicate language in multiple viewpoint, as if I’m listening to “Sare”, my childhood story tellers whom supposed to drown me in sleep, but was keeping me awake instead. Llosa takes you to a place, and while you get used to the situation, become a bit relax, he leaves you for another situation, another character in another place, force you to follow him as a sleepwalker, burning of curiosity, apprehension and restlessness, while he continue to make new situations with new chracters out of nothing, absolutely relax with a smile on his lips. He doesn’t explain the characters, but procreates them and leave them on your lap, and disappears… بسیاری از آثار ماریو بارگاس یوسا به فارسی برگردانده شده. آنها که من دیده ام؛ "زندگی واقعی آلخاندرو مایتا" / حسن مرتضوی (ترجمه ی بدی نیست)، "سال های سگی" / احمد گلشیری (ترجمه ی خوبی ست)، "عصر قهرمان" / هوشنگ اسدی (ترجمه ی خوبی ست)، "مردی که حرف می زند" / قاسم صنعوی، "موج آفرینی"/ مهدی غبرائی (ترجمه ی روانی ست)، "جنگ آخر زمان"/ عبدالله کوثری(ترجمه بسیار خوبی ست)، "گفتگو در کاتدرال"/ عبدالله کوثری (ترجمه ی شاهکاری ست) و... برخی از این آثار را ابتدا به فارسی خوانده ام، و دیگر آثار را برای بازخوانی به ترجمه ی آنها به فارسی رجوع کرده ام. تجربه نشان داده که حال و هوای ترجمه ی فارسی، بهررو با ترجمه به زبان های انگلیسی، فرانسه و دانمارکی متفاوت است. در خواندن آثار بارگاس یوسا، بورخس، سروانتس، فوئنتس، کورتازار... حسرت ندانستن زبان اسپانیولی در من بیدار می شود چرا که به خوبی حس می کنم این آثار به زبان اصلی موسیقی متفاوتی دارند. با این وجود، روایت های ماریو بارگاس یوسا بهر زبانی لذت بخش است. روایت های یوسا بوی "قصه گویی" می دهد. او عادت دارد از جایی به جای دیگر برود و همین که به صحنه ای عادت می کنی، یوسا به محل و شخصیتی دیگر می گریزد، در صندلی هنوز جا نیفتاده ای که تو را از جا بلند می کند و به صحنه ی دیگر می کشاند، روی صندلی سرد تازه ای بنشینی تا ادامه ی روایت یوسا دوباره گرمت کند. یوسا قصه گویی ست حرفه ای که گاه از هیچ، همه چیز می سازد. با یوسا بسیار جاهای ندیده را دیده ام؛ برزیل را، پرو را و... بسیار جاها که دیده ام؛ وین، رم، آمستردام را را به گونه ای دیگر تماشا کرده ام... در کوچه ها و خیابان ها و رستوران ها و قهوه خانه های بسیاری نشسته ام، گاه آنقدر نزدیک و آشنا که انگاری در همان خانه ای که یوسا وصف کرده. روایت یوسا زنده می شود و در جان می نشیند. وقتی رمانی از یوسا را شروع می کنی باید وقایع و شخصیت ها را در اولین صفحه ها به خاطر بسپاری و از نام و مشخصات هیچ کدامشان نگذری. شخصیت ها و موقعیت ها در همان فصل اول و دوم مثل رگباری فرو می ریزند، و در فصول بعدی آنها را عین پازلی کنار هم می نشاند و تابلوی بی نظیرش را می سازد. زبان شخصیت ها از یکی به دیگری، همراه با روحیه و کار و بار و زندگی شان، تغییر می کند. یوسا دستت را می گیرد و تو را با خود وارد قصه می کند، همین که درگیر فضا و آدم ها شدی، غیبش می زند، تنهایت می گذارد تا انتهای روایت همپای شخصیت ها به سفر ادامه دهی. از یک موقعیت به دیگری، به دفتری، رستورانی، خانه ای و بستری، با آدم هایی که در نهایت خشم و خشونت، به کودکانی معصوم می مانند. گاه نشسته ام و مدت ها به عکس یوسا نگاه کرده ام؛ این معصومیت لبخند یوساست که همه ی قصه هایش را پر کرده؟

2019-02-02 05:30

Chuyện Của Lính Tây Nam Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Thủy Hướng Dương

5 stars – Vampire Romance/Urban Fantasy This book left me stunned, speechless (not a small feat), and emotionally drained, and it’s taken me a few days to gather my thoughts enough to write a review. I loved A Rush of Wings, and this evoked all the same intense reader emotions and reactions, only more, more, more! Adrian Phoenix has created an engrossing world with such complex, evocative characters. Dante is hands down one of the most troubled, damaged, tortured heroes of any romance series that I’ve read, and his physical, mental, and emotional turmoil and anguish is agonizingly gut-wrenching to witness. He really gives Zsadist from J.R. Ward's Black Dagger Brotherhood series a run for the money in the angst department. Heather is such a strong, determined, caring heroine, and her intrinsic need to help those she loves, including her spiteful, self-destructive, bipolar sister and her beloved Dante, is completely heartbreaking. The fragile, tender, and intense romance between Dante and Heather is both beautiful and tragic, and if ever there was a couple that deserves a HEA, it’s these two. Add Fallen Lucien to the mix of pain, regret, and heartbreak, and it’s a fundamental smorgasbord of drama and angst. Then there’s my boy Von, another rich character, whose total loyalty and unrelenting devotion to Dante adds another touching element to the story. Dante and Heather are reunited and trying to forge a relationship, but he continues to struggle with his past, memory, identity, and destiny as both True Blood and Fallen. Besides Dante’s internal torment, he and Heather must face external forces and fight enemies that threaten to rip them apart, forever. With Lucien losing the battle with the Fallen to hide and protect the Maker, Dante’s sanity is at stake and his future with Heather is uncertain. In the Blood is another dark, gritty, riveting, impressive, and emotionally haunting read in the fantastic, creative Maker’s Song series that grabs a hold of you and never lets go! I’ll warn you strict romance lovers that it’s a very intense, edgy, violent urban fantasy read, and although there is romantic intimacy and one sex scene between the H/H, there isn’t a resolution or HEA. In fact, it ends on a ‘say it ain’t so’, doozy of a cliffhanger, so I’ll be biting my nails until Beneath the Skin comes out 12/29/09. 5 stars! FYI: There’s a very handy glossary and translation of words and phrases at the back of the book that might be helpful to review before and while you’re reading!

2019-02-02 06:30

Tôi Hay Mà Em Đâu Có Thương Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Đoàn Thạch Biền

i'm not sure about this. i don't think i like it and having had to opportunity to pay $62 to see the play i passed. what i learned was that the story of the wizard of oz was wonderful. do i need to know that ephelba's family was disfunctional? NO!

2019-02-02 07:30

Bé Học Toán - Cộng Trừ Trong Phạm Vi 50 Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Thu Ngọc

Book 1 captivated me, book 2 made me cry and wanting more, book 3 has me a little bit confused. I understand that being away from someone, especially for someone you love, for twenty years is pretty difficult, but what I'll never understand is how their love isn't as strong as they make someone believe. In all honesty if their love was as strong as they keep insisting it was then they shouldn't have been unfaithful to the other during their time apart. I personally have never been with a guy before, so I don't understand this...craving for another human soul, to be connected with someone else. Maybe it's because I'm young or maybe it's because I just can't see it the way they do, but from what I read all I saw was the need to be close to another human being in their time of loneliness. Anyways, I'm glad that Claire had decided to return to Jamie and rekindle their love. I really wanted to see some girl fighting though between Claire and Laoghire but I guess the big question came in the form of why Jamie would even think of marrying someone else. He had to know that of course Claire would come back, and it upset me even more that he had a child with someone else. I mean, come on! I was just hating him more and more. I guess this comes from me just not getting this need to be physically connected to someone else, to fill a void. But seriously! Of course Claire wasn't a saint either so not all the blame is placed on him. And I just hate that stupid excuse that "I'm a man" or "I'm a woman" or whatever excuse people use to need to get into bed with someone. If you love someone, you love them and nothing else should matter, but I guess that's the naive side of me. Well the main action was exciting and heart racing. True, some things just didn't make sense, or just seem to come straight out of some fantasy novel, but I enjoyed how character's were returned and how some things (Jamie's personality) just don't change. I also feel like Brianna had finally started to mature, especially after accepting that her father wasn't an English scholar but a red haired stubborn Scottish soldier who use to have a price on his head from the 18th century. The ending made me smile, but I wish there could have been some sort of bigger cliff hanger, because back in 2001 someone could have thought this would have been the end. Want a high sea adventure, come this way.

2019-02-02 08:30

Bí Mật Của Một Trí Nhớ Siêu Phàm (Tái Bản 2017) Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Eran Katz

I loved to see the illistrations of what Stephanie envisioned her characters like. Her imaginary world is so detailed it's amazing she created it all.

2019-02-02 09:30

Bé Làm Họa Sỹ - Bé Tô Màu (Tập 5) Thư viện Sách hướng dẫn

Sách được viết bởi Bởi:

I'd suggest you read Nine Stories before you read this one. This book focuses mostly on the Glass family, and Salinger treats them with much more affection than the assortment of characters in Nine Stories. This book is less humorous and more thought-provoking, particularly on matters pertaining to what it means (and doesn't) to be part of a family. The stories also touch on how our best-laid plans to do right by one another can easily (and sometimes imperceptibly) go awry, as well as the seemingly meaningless words and actions that can have the most lasting impact. This book reminded me of the work of Flannery O'Connor, in that characters often don't seem to know who they are or what their priorities are until they're put to a test.

2019-02-02 10:30

Cẩm Nang Luyện Thi IELTS 12 Thư viện Sách hướng dẫn

Sách được viết bởi Bởi:

The Hunger Games. Once a year, a boy and a girl from each district are selected by lottery and sent to the Capitol as punishment for a failed rebellion. Twenty-four enter. One survives. Katniss Everdeen doesn’t need the Hunger Games to make her struggle for survival; every day is a battle to overcome severe poverty and starvation. Since her father’s death, she’s done everything she can to keep herself, her mother, and her younger sister Prim from following him, but when Prim’s name is called at the Reaping, there’s only one more thing she can do. But the Hunger Games are about far more than surviving, and she’s in far more danger than she realizes. The Games are just the beginning. At first glance, this is a book that seems brutal, and make no mistake, it absolutely is. But what makes it particularly brutal isn’t what we initially think, and that’s what makes it truly brilliant. Katniss as a narrator is complicated, largely because she’s not particularly complicated as a character. Her motivations are simple: survive, and keep her family alive. That’s it. That is the sum of Katniss Everdeen’s goals in life, and it’s the entirety of her focus. Her attention is narrowed to what will keep her family alive, so she doesn’t tend to notice the bigger picture. She doesn’t notice people who aren’t directly linked to her family’s well-being, or at least doesn’t give them much thought. She’s solitary, awkward, and so much of her energy is put to surviving that every other emotion, every other reaction, is buried. As a narrator that becomes problematic, mainly because her stoicism and her determination to just get through things- in other words, to be stronger than her mother- can create a flat affect that distances us from what’s going on around her. In one sense, this is a necessary conceit of a narrator- no matter how overwhelming and emotional a scene, the narrator can’t break down because his/her words are what carries the story. In another, though, it’s hard to invest in her as much as we’d like to, because even as she builds a wall between herself and the rest of the world, she keeps us on the other side of it as well. Still, she’s a solid character, strength with deep vulnerabilities, a good heart tempered by bitter experience and an inability to trust other people’s motives. We root for Katniss because even though she’s had a crap life, she hasn’t ever given up. No matter how bad it’s gotten, no matter how much she’s had to struggle, she’s come through it. That determination, that deep well of strength, is amazing, and the way she looks at people- the way she pares people and things down to the most essential aspects with little more than a glance- is a mark of a survivor. This is a world of extremes, pitting the excesses of the Capitol against the deprivations of the outer-lying districts. We see some of the best humanity has to offer, as well as some of the worst. We see what pure adrenaline can do, as well as pure despair. And we see how we become conditioned by the atmosphere in which we’re raised. It seems horrific that people in the Capitol can gleefully watch the games year after year, that they can look forward to it in any way, and it is- but that part shouldn’t be surprising. We know very early on that this is the 74th Hunger Games- most of those alive in the Capitol have never known a time without the games. They’ve been literally raised in them, the ultimate in cultural desensitization, and they’ve never had to face the threat of anyone they know being in them. They’ve been raised to believe that it’s right- worse, that it’s natural- and that informs their worldview. What makes this book terrifying- which it is at its best points- isn’t the violence, or the kids killing kids. It’s that it doesn’t seem as far-fetched as we’d like it to be, and that’s not at all a comforting thing. You see these reality shows and most of them are harmless, but then you have people competing for extreme plastic surgery. You have people starving themselves on islands or in deserts or jungles. You have people putting themselves in extreme danger and risk of imminent death for a few minutes of fame and glory. So what happens when they feel the need to go just a little further, do a little bite more to boost the ratings? In the Capitol, in the Games, we have the ultimate falseness of reality television, all the more striking when put against the severe deprivations of true reality in the outer districts. This book is the Roman circus brought into our current sensationalist mentality. This book shows that when you put enough effort into manipulating the appearance of something, eventually you lose the ability to discern between the truth and the created facade. But it’s also proof that appearance is a powerful tool, if double-edged. It’s about making choices, about deciding who you are and who you want to be, about what you stand for. It’s about deciding the face you want to show to the world- and then deciding how much of that face is truth. But most of all, it’s about the difference between surviving and living. Until next time~ Cheers

2019-02-02 11:30

To Understand English - Lớp 3 (Kèm 1 CD) Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Joanna LE MAY

This book either gets 1 star or 5 - with my friends anyway. I am on the 5 side. Disturbingly brilliant. One of my favourite novels, but definitely not for the faint-hearted. Beautiful.

Người đọc Jennifer Healy từ Fortitude Valley QLD , Australia

Người dùng coi những cuốn sách này là thú vị nhất trong năm 2017-2018, ban biên tập của cổng thông tin "Thư viện Sách hướng dẫn" khuyến cáo rằng tất cả các độc giả sẽ làm quen với văn học này.