Suzanne Ocsai từ Brocēni, Brocēnu pilsēta, , Latvia

suzanneocsai

05/19/2024

Dữ liệu người dùng, đánh giá và đề xuất cho sách

Suzanne Ocsai Sách lại (10)

2019-06-15 14:30

Nguyên Tắc Vàng Chống Lão Hóa Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Trọng Hòa

I am conflicted about this book. It honestly terrifies me, and I'm not being trite. I read this book in 9th grade and haven't picked it up since. Teaching it this year required me to face it again. It changed the way I saw things. This book haunted me. I wonder if anyone else felt the same way. I almost felt as if I shouldn't pass this book on to my 10th graders...did I have that right? But I don't think they were nearly as affected as I was. The question I want to know the answer to is this -- is this a depressing book? I found it so, because I saw it as hopeless. Holden has this insanely big moment while watching Phoebe on the carousel. He actually SEES that he should not try to catch children. He understands in that moment that will not aid children - that they should fall. So what does he go into the mental institution AFTER having this important epiphany? This has never made sense to me, and I beg anyone to explain it to me. If he truly understands that he cannot be the catcher in the rye, why does he need to undergo pyschiatric therapy? Because it has such a profound effect on him (the realization) that he therefore breaks down? But to me, this moment of realization is the moment of his salvation. This moment is hopeful, but the end of the book is not. I don't understand. Is the message for us to understand the hopelessness of adulthood? Who, after all, does Salinger sympathize with? Is Salinger trying to communicate to us that Holden is a genius, seeing the true nature of the world and adulthood, or does Salinger regard Holden as a sad case whose world falls apart because he cannot face adulthood with any sort of hope in his heart?

2019-06-15 16:30

Tuyển Tập Đề Thi Violympic Tiếng Anh Lớp 4 - Tập 1 (Kèm Audio Tại App MCBooks) Thư viện Sách hướng dẫn

Sách được viết bởi Bởi:

Virginia Postrel argues in this cultural study for the inherent value of aesthetics in everyday life and against claims that dismiss aesthetic value as either irrelevant or as merely the expression of drives for social competition. I think she makes a decent, if perfectly unoriginal, case for aesthetic value as a semiautonomous sphere of human value; she also is correct, I think, that aesthetic dimensions of consumer products become important when the marginal value of "look and feel" increases relative to other value-spheres (like functionality, quality, etc). She is less persuasive in her praise of the 'age of aesthetics' as a newly democratic moment in the history of consumerism. The problem here is a betrayal of her ideologically libertarian worldview: she equates markets with democracy. In fact, markets and democracy are about as close to opposite conceptions as you can get. In a market, one dollar equals one vote: those with the most money get their way. In a democracy, every person gets an equal say in what happens. So, what this means, is that Postrel has written an OK book on how present-day markets affect the aesthetic components of consumer goods. Her favorite example is the designer toilet brush: I would be greatly negligent as a reviewer if I did not suggest that Postrel's book constitutes a form of intellectual designer toiletbrush: moderately interesting from a stylistic perspective, somewhat useful in thinking through some situations, simple to use, but mostly forgettable.

Người đọc Suzanne Ocsai từ Brocēni, Brocēnu pilsēta, , Latvia

Người dùng coi những cuốn sách này là thú vị nhất trong năm 2017-2018, ban biên tập của cổng thông tin "Thư viện Sách hướng dẫn" khuyến cáo rằng tất cả các độc giả sẽ làm quen với văn học này.