Daniele Pompetti từ Edio, Côte d'Ivoire

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11/06/2024

Dữ liệu người dùng, đánh giá và đề xuất cho sách

Daniele Pompetti Sách lại (10)

2019-08-15 12:30

Những Trải Nghiệm Đầu Tiên Của Bé - Cún Cưng Của Bé Thư viện Sách hướng dẫn

Sách được viết bởi Bởi:

Okay, it's settled. This is definitely my favourite book in the series. Harry at times still gets tetchy and temperamental, but it's not as excessive as it was in the previous books. I love how much Dumbledore we get in this book, and I adore all of the potions knowledge that the half-blood prince put into his old textbook. I think it's so awesome that potions are just like recipes - you could follow them to the letter, like Hermione, or you could play jazz with them and try different techniques and get a completely different result. Really, there was never a chance that this wouldn't be my favourite of the books. It's all about the psychology behind Voldemort, and that's my bread and butter right there. I adore finding out more about his background, doing a character study of him. I love how Dumbledore teaches Harry how to be thorough in researching things, how important it is to know all of these things even though Voldemort himself would completely discount them. I also just really love the confusing nature of love and snogging and romantic relationships in this book. I love watching Hermione and Ron and Harry all struggle with feelings that they've had for a long time, trying to figure out how to cope with them and express them healthfully.

2019-08-15 13:30

Hào Kiệt Đất Phương Nam - Mai Xuân Thưởng - Lãnh Tụ Cần Vương Bình Định Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Hoài Anh

Probably my favorite book ever.

2019-08-15 14:30

Từ Những Hạt Mầm: Hột Điều Của Sóc Thư viện Sách hướng dẫn

Sách được viết bởi Bởi:

Mat Hoffman, The Condor. This autobiography is a true inspiration. Mat Moffman tests the limits of what is and what is not possible on a bicycle. Cliff jumping on a bicycle and massive twenty foot ramps...

2019-08-15 15:30

Tuyển Tập Tác Phẩm Piano Cổ Điển Được Yêu Thích - Phần 1 (Kèm CD) Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Lê Dũng

Loved the story line along with the characters. Easy to follow. It was so intense! I stayed up till 2am for a few nights just so I could finish it. It was worth it!!! I have not seen the HBO show but if it's as good as the book...I will be buying the series!!!

2019-08-15 16:30

Tính Cách Quyết Định Thành Bại Thư viện Sách hướng dẫn

Sách được viết bởi Bởi:

Have been looking forward to reading this from my shelves for a long time. For when I can be a bit more active/write a bit more; or not have more time for those things, but can think about it even .. more..

2019-08-15 17:30

Lời Vàng Phật Dạy Thư viện Sách hướng dẫn

Sách được viết bởi Bởi:

Recommendation SFO bookstore.

2019-08-15 18:30

Đàm Thiên Thuyết Địa Luận Nhân - Tái bản 11/97/1997 Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Ngô Bạch

As a publisher i find this fascinating. What we have is the day-to-day work of German fine Photographer/art press Steidl. The publisher Steidl seems to be a man who doesn't sleep and jumps from one project to another. In his world he had Robert Frank, Ed Ruscha, Karl Lagerfeld among others working with him on a mission that has to be perfect. Publishing is a beautiful world. i am presuming that Steidl is a beautiful man.

2019-08-15 19:30

Từ Điển Hàn - Việt Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Lê Huy Khoa

One of my very favorite books as a child.

2019-08-15 20:30

Cô Gái Trong Trang Sách Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Guillaume Musso

Fitfully amusing, but a whole book of it is a bit samey. If I had been encountering "Missing Missy" for the first time, would I have found it funnier? Not sure; perhaps the viral email is the best way to encounter Thorne's work, a little at a time.

2019-08-15 21:30

Combo Truyện Ngắn Của Ploy Ngọc Bích (Bộ 4 Cuốn) Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Ploy Ngọc Bích

Short Short Stories Etgar Keret was born in Tel Aviv in 1967. This is the third book of his short stories that I’ve read and I’ve loved them all. To give you one idea of why I like them, there are 46 stories in this collection, and the whole thing is only 171 pages long. Most stories come in at 1½ to four pages, which means you can read two while you’re waiting for your bread to toast, or your partner to warm your side of the bed for you, or your children to finish in the bathroom (well, maybe I'm fibbing about that last one). “Brevity is the Soul of Wit” Polonius said this in “Hamlet”. He was right then and he is equally right now. He is also right to suggest that any attempt to paraphrase or explain his expression would only require more than his six words, unless you strip it down to something like “shorter is better” (which might be right, but it doesn’t convey the meaning of humour or insight that “wit” does, unless you think that all short things are funny). The whole idea of a short story is to do as much with as little as possible. Yet, I find that Etgar Keret has a skill much greater than most of his peers. He has an ability to pare words and sentences down so far that they teeter (and titter) on the absence of meaning. Any more cuts and you wouldn’t know what he was talking about. Instead, he stops at a point where what remains is the bare minimum required to convey meaning. Nevertheless, he invites us to infer what might have been omitted or cut. In other words, he expects readers to supply some of the meaning. It’s a collaborative effort. To this extent, he is like Beckett, in the way he walks right up and stares into the face of the absurd, only he is absurdly funny as well. We laugh while we wait for Godot. Take These Words I suppose every writer does it, but another thing I love about Etgar Keret is that he takes the same words that we have all been given and weaves some amazing tales with them. How come he can take our vocabulary and do so much better than the rest of us with exactly the same words? Some of his characters are children, and you can sense that they have acquired their words and mannerisms from the adults around them. The children take their parents’ words and use them, or perhaps the parents’ words use the children to convey them. What is going on here? What magic dust does he have that we don’t have? Remove Everything but the Magic I don’t mean to imply that he is unique, however. He reminds me of how I have responded in the past to Kurt Vonnegut or Richard Brautigan or Tom Robbins or John Irving. Only just as I used to think that Tom Robbins and John Irving were long-winded versions of Richard Brautigan, Etgar Keret is like an abbreviated version of Brautigan. The brevity has been abbreviated, but the magic is still there. Perhaps there is something happening here beyond words. Not just something that words can’t describe, but something that words aren’t trying to describe. Something is happening between the words. These words are playing with each other before our very eyes, dancing, flirting, kissing, falling in love, even fornicating. Making Something from Nothing So far, I’ve focused on Keret’s ability to strip away verbiage, but he’s also able to make something from nothing. In the story “Nothing”, a woman loves a man who is made of nothing. That’s more or less the first sentence, yet by the time you read it (two-thirds of the way into the book), you’re totally accepting of the possibility that this might be true: "Nothing in the world would have made her happier than to make love with him all night long, tasting his non-lips once again, feeling the uncontrollable quiver run through him, the emptiness spread through her body…She hadn’t the slightest doubt or apprehension. She knew that his love would never betray her. What could possibly let her down when she opened the door? An empty apartment? A numbing silence? An absence between the sheets of the rumpled bed?" This writer who works with less asks the question, “What is enough?” Can we make do with less? Can we make do with nothing? Is nothing less enough? (Sorry, I think I was only joking with that last one.) What Do We Still Have When You Take Everything Away from Us? Etgar Keret writes in Hebrew, although perhaps paradoxically even in translation his stories come across with both the richness of Jewish tradition and the independence of 21st century modernity: " ‘Is because you and me, we both terminal sick,’ Hans explained. I loved his fractured Hebrew, especially when he called me ‘terminal sick’, like I am waiting at some busy airport about to take off for an exciting, different place." Keret the modernist comes across as cheeky, sharp and fun. Yet he seems to appreciate and embrace the positives of Jewish culture. Despite (but perhaps because of) the Holocaust, Jewish culture continues and enriches all those who have access to it. Even in the darkest of times, Jews cannot have nothing, they cannot have “no compass, no map, no guide”. They have their culture and their traditions and their perception and their ways of seeing. To quote the terminally sick Hans again: "Then I see him on wall…mein Schatten, how you say, aah...shadow. I look at him and I know, my shadow he always with me. I know always what he is going to do, and him even the Germans they cannot take...Zauber (magic)." It’s our privilege and good fortune that Etgar Keret conveys some of this Zauber to us in his short short stories.

Người đọc Daniele Pompetti từ Edio, Côte d'Ivoire

Người dùng coi những cuốn sách này là thú vị nhất trong năm 2017-2018, ban biên tập của cổng thông tin "Thư viện Sách hướng dẫn" khuyến cáo rằng tất cả các độc giả sẽ làm quen với văn học này.