Dữ liệu người dùng, đánh giá và đề xuất cho sách
Sách được viết bởi Bởi: Khắc Trí
What an awesome inspiring book. This is the first book i have read in the Real Life series and will definitely reach out to read another and another and another as long as she keeps them coming. This would be a great book to pass out at shelters and places where women go to who are abused. It is truly an inspiration. Great job on character development as well as making you think. This is a book that will stick with me for a very long time. Congratulations Nancy Rue!
Sách được viết bởi Bởi:
This is hands down one of the most fascinating books I have ever read. It reads like a novel and taught me what it takes to spread a message effectively.
Bareng the Firm, ini novel Grisham yang paling oke menurut saya. Lebih menyentuh dibanding The Firm.
Sách được viết bởi Bởi: Dương Thị Hương
I cant wait for this! OMG! How much longer?! :P
Sách được viết bởi Bởi: Nhiều Tác Giả
I found this book a little disappointing: I came away feeling like the book failed to move me/teach me/inspire me,surprise me or delight me, so it was a little like, what's the point? I felt like the book was written with a lot of love/appreciation for African American women but Monk Kidd's writing never made them seem real, they were more like characters you'd see in a feel-good/weepy movie...
Sách được viết bởi Bởi: Kim Phụng
A poetic and deeply insightful story interweaving the complexities of human love, of the nature of art, of the character of culture and religion, and of the stark differentiation between two vastly different traditions meeting head-on in a moment of supreme uncertainty. Describes the restrained violence of the culture clashes which are so relevant to our world at this time through the allegory of artistic expression as understood through the traditions of the European manner of representing the world, and that of the Islamic faith. Elegant, strange, verging on the sublime at times. A great achievement.
Sách được viết bởi Bởi: Đoàn Khắc Độ
Lyra lives in an alternate universe sort of England where she acquires a magical object known as an alethiometer, with which she learns to tell the future. Meanwhile, Lord Asriel is studying a phenomenon in the north which might prove to open the way to other worlds. This story is full of amazing characters and wonderful storytelling. It is a delight to read, although it is certainly not a light-hearted tale.
A good, important, moving book about a man's search for lost relatives and the impact the search has on his family--but I struggled with this book like crazy, fighting the urge to pull out my red pen. The man has a lot to say, but desperately needs an editor. I spent so much time slogging through the sloppy writing that it interfered with the content. I am glad I read it and it was worth the trouble, but I'm sure the story could have been told more nimbly.
Once I got beyond the fact that the cover didn't thrill me (sorry!), I was sucked in by the beautiful writing and the hilarity and heartbreak of the each of the characters involved. The author created such unique personalities and developed them to the point where I loved them all for their quirks and humor. And I loved that there were moments I was not sure if I was laughing or crying, just that the passages spoke right to my heart.
Sách được viết bởi Bởi: The Windy
In The Last Van Gogh, Alyson Richman roots us in the house of Dr. Gachet. She brings us in close to his desperate need to keep up appearances, into the isolation he craved and imposed upon his family, immediate and otherwise, and she contrasts it with other’s need for escape and expression, their simultaneous aversion to Gachet, the central figure in all the lives gathered in this book, and their need for his approval and attention. The claustrophobia and secrets of the house are tellingly contrasted with Van Gogh’s art, his colors cutting deeply into canvas to reveal. Alyson Richman communicates the eternal difficulty of a loved one, or impending loved one competing with art, and of balancing the artistic life with the not-so-simple desire to love and be loved by another. In those like Van Gogh, whose genius is among the least arguable facts in any kind of art, the possibility of human love and deep connection seems almost impossible. And while it would reveal me as either a fool or a flatterer to suggest that Alyson’s depiction of Van Gogh at Auvers supplants that which people carry in their mind, and for those that have seen Van Gogh’s in person, their eye, her deft and visionary use of color throughout the book, her care in conveying the subtlest emotions of her characters clearly, her sure hand and ease in story telling, in moving the tale forward effortlessly, and her devotion to getting the story right--to finding the emotional truth inherent in the interaction of these characters--allows us to see Van Gogh’s last days, his last creations--in a startlingly fresh way. Even though we know the ending--after her last, furtive meeting with Vincent, Marguerite Gachet says “I need not tell you what happened several days later”-Alyson Richman brings us the thought of possibility, of the chance that two isolated souls--Van Gogh isolated by art and illness, and Marguerite by simply being a young woman in a man’s house--might change the story, might escape that which constrains each of them. It’s a tribute to the skill of the author that until the very last moments, we care, and hope, for both of them, deeply.
Người dùng coi những cuốn sách này là thú vị nhất trong năm 2017-2018, ban biên tập của cổng thông tin "Thư viện Sách hướng dẫn" khuyến cáo rằng tất cả các độc giả sẽ làm quen với văn học này.