Wikk Cfa từ Kalinino, Volgogradskaya oblast', Russia

_ikk_fa

11/21/2024

Dữ liệu người dùng, đánh giá và đề xuất cho sách

Wikk Cfa Sách lại (10)

2019-09-14 18:31

Học Nhanh Flash 8 (Có CD-Rom Kèm Theo Sách) Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Lê Quang

I got about halfway through the book and then had a hard time picking it back up. I felt like the point had been made and didn't really feel the need to continue on.

2019-09-14 19:31

Hear Our Story - Hãy Lắng Nghe Câu Chuyện Của Chúng Tôi Thư viện Sách hướng dẫn

Sách được viết bởi Bởi:

Entertaining, but I thought it would be funnier.

2019-09-14 20:31

Tiếng Anh Văn Phòng Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Ngọc Yến

I enjoyed this book tremendously. I chose if off the shelves just by title, and because the story takes place in an area that interests me greatly and a place I would love to visit. I was hooked by the very first page. This book is a wonderful story that includes the most human side of all the characters. They are just normal people, who make mistakes, use bad judgement, hold grudges, but also are close friends who support each other, learn and grow from their mistakes and become your friends as you read this book. Another remarkable thing about this book is how well the author knows this location-she herself is a native and truly describes the area and the effect Lake Superior has, not only on the weather and landscape, but also how the beauty of the lake effects the characters. From start to finish, this is an engrossing story that will reward every reader by staying with them for a long time.

2019-09-14 21:31

News And Current Affairs Series 2 Thư viện Sách hướng dẫn

Sách được viết bởi Bởi:

A fictional tale set in a politically turbulent time.

2019-09-14 22:31

Thân Mật - Cội Nguồn Của Hạnh Phúc Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Osho

One of the latest YA dystopian novels. Good stuff. Excited to read the sequels.

2019-09-14 23:31

Nhà Trắng - Những Chuyện Chưa Kể Thư viện Sách hướng dẫn

Sách được viết bởi Bởi:

Utroligt. 22 år skulle det tage mig, før end jeg fik taget mig sammen til at læse denne klassiker af Harper Lee. Jeg har selvfølgelig hørt om den før, men har altid tænkt, at det der med bøger om racisme, det var ikke lige noget for mig. Derfor blev jeg også overrasket over, hvordan emnet er beskrevet i bogen. Det virker på ingen måde som en løftet pegefinger, men er egentlig bare en beretning set med en lille piges øjne. De første mange sider skete der ikke så meget rent handlingsmæssigt, men jeg sad som tryllebundet og læste. Sproget var helt igennem fantastisk. Nuanceret, farvet og beskrivende på en sådan måde, at tingene blev levende for øjnene af mig. Da jeg kom godt ind i bogen, begyndte den egentlige fortælling at udfolde sig for fødderne af mig. Der er lagt vægt på rigtig mange ting og det gør, at racismen ikke overskygger det hele. Der er også plads til kærlighed, fortvivlelse, naivitet, undren og rigtig meget andet. Desværre må jeg også konstatere, at bogen jo stadig er relevant i forhold til racismen. Karaktererne i bogen er dybe og realistiske et langt stykke hen ad vejen. Der er det uvidende, men nysgerrige barn, den lidt klogere storebror, helte-far, den mærkværdige nabo osv. Karakterer vi vel alle er stødt på enten før eller siden. Alt i alt et helt fantastisk velskrevet stykke litteratur, som alle med respekt for sig selv bør læse.

2019-09-15 00:31

Nào Tối Nay Ăn Gì? - Thế Lưỡng Nan Của Loài Ăn Tạp Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Michael Pollan

I really liked this book! I don't normally read books that aren't some sort of mystery/thriller but I gave this a try and it was great! It will make a wonderful movie.

2019-09-15 01:31

Hãy Là Chính Mình Con Nhé (Song Ngữ Anh - Việt) Thư viện Sách hướng dẫn

Sách được viết bởi Bởi:

Lowry's book is a piece of nationalist propaganda, using oversimplification, emotional appeals, and dualistic morality to shut down her readers' minds. More troubling is that it is aimed at children, who don't yet have the critical faculties to defend themselves from such underhanded methods. Unsurprisingly, Lowry adopts the structure of the monomyth, equating a spiritual journey with a moral one. Her Christ-figure uses literal magic powers to rebel against his society. This rebellion and the morality behind it are presented as 'natural', to contrast with the 'abnormal morality' around him. Lowry doesn't seem to understand that we get our morality from our culture, it isn't something in-born that we 'lose'. This is the first hint of Lowry's misunderstanding of the human mind. She assumes her own morality is correct, and then builds her story to fit it. She also makes the character act and think like we do, despite never adequately explaining how he came up with such unusual notions. It's the same trick many historical fiction authors use, leaving us scratching our heads as to why a Fourteenth Century French peasant speaks like a second-wave feminist. I'd suggest that Lowry falls to this fault for the same reason they do: she has no talent for imagining how others might think differently. Lowry's book ends with the standard nonspecific transgressive spiritual event that marks all monomyths. Since the book is not a progressive presentation of ideas, it does not suggest any conclusion. Instead, the climax is a symbolic faux-death event (symbolic of what, none can say). Confusingly, Lowry later redacts the ending in the sequels, undermining the pseudo-spiritual journey she created. Though some call this book 'Dystopian', it's closer to the truth to say Lowry borrows elements from the Dystopian authors, attempting to combine the spiritual uplift of the monomyth with the political and social deconstruction of the Dystopia. What she doesn't recognize is that the faith of the one conflicts with the cynicism of the other. She draws on ideas and images from many other authors: Bradbury, Huxley, Orwell, Burgess, but doesn't improve upon them. These authors created novels that reflected the world around them. They based them on the political events of the times, presented with realism and careful psychology. Though they presented the struggle between the individual and the society, they portrayed morality as grey, and suffering as the result of individual human faults, not political systems. Lowry doesn't realize that the best way to critique Fascism or Communism is not to present it as 'evil', but to simply present it as it was. But Lowry's world is not based in reality, it is symbolic and hyperbolic. Instead of writing about how poverty makes the world seem small and dull, she has the characters magically unable to experience life. Instead of an impersonal government, she presents a sort of evil hippy commune. The only political system it resembles is a school, which is a neat little trick to get the kids interested. The idea that 'school=unfeeling totalitarian hell' is not an uncommon one, but it's one I'm surprised teachers would support. The book also suggests a creche, but lacking similarity to any real-world system, it doesn't work as a political criticism. Lowry creates this artificial world to suit her purposes, but it is not a symbolic exercise like 'Animal Farm'. We understand that the pigs of animal farm are symbolic, because there are no talking pigs. Lowry's world is more insidious, since its oversimplification is hidden. She builds an artificial world to support the dualist morality that she's pushing. She presents the same knee-jerk fears about euthanasia and abortion that people use against Women's Rights or Health Care. Worse than these Straw Man arguments is the fact that she never deals with the economic causes of totalitarianism. Tyrants don't just rise up and take control by their own force of will, they come into power because of the socioeconomic situations that surround them. Lean times produce strong, fascist leaders while profitable times produce permissive, liberal societies. Strong, centralized leadership simply doesn't self-propagate in cultures where everyone is clothed, fed, and housed. The Holocaust was socially about some ideal of 'change' and 'purity', but it was economically about the transmission of wealth from Jews, Poles, and Catholics to Germans (and more specifically, to those Germans who had elected the new ruling party). The atrocities of war are, for the most, part committed by normal people to other normal people. By presenting the power structure as 'amoral' and 'inhuman', Lowry ignores the fact that people will willingly cause others to suffer. Painting the enemy as 'evil' and 'alien' is just an unsophisticated propagandist method. She contrasts her 'evil' with the idealized 'goodness' of emotion, beauty, and freedom. This is nothing more than the American dream of 'specialness' that Mr. Rogers was pushing for so many years. We are all special, we are all good, we all deserve love and happiness. Sure, it sounds good, but what does it mean? Where does this 'specialness' come from? If it is just the 'sanctity of human life', then it's not really special, because it's all-encompassing. If all of us are special, then none of us are. There's nothing wrong with valuing life, but when Lowry presents one mode of life as valuable and another as reprehensible, she ceases to actually value humanity as a whole. Instead, she values a small, idealized chunk of humanity. 'People are good, except the ones I don't like' is not a moral basis, nor is it a good message to send to kids. If the specialness is only based on fitting in with a certain moral and social guideline, then Lowry isn't praising individuality, she's praising herd behavior. The protagonist is only 'special' because he has magic powers. His specialness is not a part of his character, it is an emotional appeal. The idea of being a special individual is another piece of propaganda, and its one kids are especially prone to, because kids aren't special: they are carefully controlled and powerless. Giving a character special powers and abilities and then using that character to feed a party line to children is not merely disingenuous, it's disturbing. There is also a darker side to universal specialness: giving a child a sense of importance without anything to back it up creates egotism and instability. Adults noticed that children with skills and friends had high self-esteems, but instead of teaching their children social skills and knowledge, they misunderstood the causal relationship and tried to give them self-worth first. Unfortunately, the moment unsupported self-worth is challenged, the child finds they have nothing to fall back on. Their entitlement didn't come from their skills or experiences, and so they have nothing to bolster that sense of worth. Instead, any doubt sends them down a spiral of emotional instability. A single book like this wouldn't be the cause of such a state in a child, but it does act as part of the social structure built to give a sense of worth without a solid base for that worth. People like to believe they are special, kids especially so, but being a remarkable person is not a result of belief but of actions. If the book had informed them, then it would leave them better off, but giving them a conclusion based on emotional appeals does nothing to build confidence or character. Many people have told me this book is good because it appeals to children, but children often fall for propaganda. Children develop deep relationships with pop stars, breakfast cereals, and Japanese monsters. This does not make them good role models for children. Feeding 'specialness' to kids along with a political message is no better than the fascist youth programs Lowry intends to criticize. The obsession with individuality is just another form of elitism. It's ironic that people in America most often describe themselves as individuals when pointing out the things they do to align themselves with groups. But banding together in a community is not a bad thing. For Lowry and other 'Red Scare' children, any mention of 'communal' can turn into a witch hunt, but we all give up some personal rights and some individuality in order to live in relatively safe, structured societies. There are benefits to governmental social controls and there are drawbacks, and it's up to us to walk the line between the two. Anarchy and Totalitarianism never actually exist for long: we are social animals. It's not difficult to understand why Lowry is so popular, especially amongst educators. The message she gives aligns perfectly with what they were taught as kids, from Red Scare reactionism to the hippy-dippy 'unique snowflake' mantra. These ideas aren't entirely misguided, either. It's good to recognize the benefits of difference and the dangers of allowing other to control our lives. If a reader believes that fascism and socialism are inherently wrong and that their own individuality is their greatest asset, they will likely sympathize with Lowry's work. However, this doesn't make the book honest, nor beneficial. One of the hardest things we can do as readers is disagree with the methods of authors we agree with ideologically. It makes us feel good to find authors who agree with us, but this is when we should be at our most skeptical. Searching the world for self-justification is not a worthwhile goal, it simply turns you into another short-sighted, argumentative know-it-all. 'Yes men' never progress. Lowry is toeing the party line. She does not base her book around difficult questions, like the Dystopian authors, but around easy answers. She doesn't force the reader to decide for themselves what is best, she makes it clear what she wants us to think. Her book is didactic, which means that it instructs the reader what to believe. Even if her conclusions about Individuality vs. Community are correct, she doesn't present arguments, she only presents conclusions. Like rote memorization or indoctrination, she teaches nothing about the politics, social order, economics, or psychology of totalitarianism or individuality. The reader is not left with an understanding, just an opinion. The baseless 'individuality' of the book lets the reader imagine that they are rebels--that they are bucking the system even as they fall into lock-step. By letting the reader think they are already free-thinking, Lowry tricks them into forgetting their skepticism. She is happy to paint a simple world of black and white, and this is likely the world she sees. I doubt she is purposefully creating an insidious text, she just can't see past her own opinions. She writes this book with a point to make, and makes it using emotional appeals and symbolism. She doesn't back it up with arguments because she doesn't seem to have developed her opinions from cogent arguments. In the end, she doesn't show us that the structure of this society is wrong, she says nothing poignant about individuality vs. community; instead, she relies on threats to the life of an innocent infant. Yet nowhere does she provide an argument for why communal living or the sacrifice of freedoms for safety must necessarily lead to infanticide. In politics, making extreme claims about the opposing side is called mud-slinging, it is an underhanded and dishonest tactic. It works. Arguing intelligently is difficult, accusing is easy, so that's what Lowry does. She is another child of WWII and the Cold War who hasn't learned her lesson. She quickly condemns the flaws of others while failing to search out her own. Even after the Holocaust, there are many racist, nationalist, violent Jews; conflict rarely breeds a new understanding. America condemned the faceless communal life of the Second World, and yet America created The Projects. We critiqued strong governmental controls, but we still have the bank bailout, socialized medicine, socialized schooling, and socialized charity. America condemned the Gulags and Work Camps, and yet we imprison one out of every hundred citizens; far more than Stalin ever did. Some are killed, all are dehumanized. As a little sci fi adventure, the book isn't terrible. It's really the pretension that goes along with it. Lowry cobbles together religious symbolism and Dystopic tropes and then tries to present it as something as complex and thoughtful as the authors she copied. Copying isn't a crime, but copying poorly is. Like Dan Brown or Michael Crichton, she creates a political pamphlet of her own ideals, slaps a pretense of authority on it, and then waits for the money and awards to roll in--and they did. Many people I've discussed this book with have pointed to those awards as the surest sign of this book's eminent worth. Award committees are bureaucratic organizations. Their decisions are based on political machinations. This book is a little piece of Nationalism, and so it was lauded by the political machine that Lowry supports. The left hand helps the right. If awards are the surest sign of worth, then Titanic is a better movie than Citizen Kane. What surprises me is how many of those who brought up the award as their argument were teachers. If a politically-charged administrative committee is the best way to teach children, then why do you take umbrage when the principal tells you that bigger class sizes (and fewer benefits) are fine? Listen to him: doesn't he have award plaques? The other argument is usually that 'kids like it'. I usually respond that kids also like candy, so why not teach that? Some people also get angry at me for analyzing a book written for children: "Of course it's not a great book, it's for kids! If you want a good book, go read Ulysses!" I prefer to give children good books rather than pieces of political propaganda (even if they agreed with me). Children can be as skeptical, quick-witted, and thoughtful as adults if you give them the chance, so I see no excuse for feeding them anything less. Kids aren't stupid, they just lack knowledge, and that's a fine distinction. It's easy for adults to take advantage of their naivete, their emotionality, and their sense of worth. Just because it's easier for the teacher doesn't mean it's better for the child. When we show children something that is over-simplified, presenting an idealized, crudely moralizing world, we aren't preparing them for the actual world. If you give a child a meaningless answer to repeat, he will repeat it, but he won't understand why. Why not give the child a book that presents many complex ideas, but no rote answers, and let them make up their own minds? If they don't learn how to separate the wheat from the chaff and form their own opinions early, in a safe, nurturing environment, what chance will they have on their own as adults? In all the discussions and research regarding this book, I have come across very little analysis. It's especially surprising for a book with such a strong following, but there aren't many explanations of why the book is supposed to be useful or important. This lack of argument makes sense from a political standpoint, since there is no reason to analyze the worth of propaganda: its worth is that it agrees with society and indoctrinates readers. Analyzing it would defeat the purpose; political diatribes do not stand up to thoughtful attention. Perhaps someday someone will create a thoughtful, textual analysis of this book that will point out its merits, its structure and its complexity. I've gradually come to doubt it. I never expected when I wrote my original review of this book that it would garner this much attention. I still welcome comments and thoughts, but if your comment looks roughly like this: "You should read this book again, but this time, like it more. You think you're smart but you aren't. You're mean. Lowry is great. This book won awards and kids like it. It's meant for kids anyways, why would you analyze what its about? I bet you never even read the sequels. Go read 'Moby Dick' because you are full of yourself." I've heard that one before. If you do want to comment though, you might check out this article; I find it helps me with presenting my ideas.

2019-09-15 02:31

Thiết Kế Mạch Số Với VHDL Và Verilog - Tập 1 Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Tống Văn On

This book did not grab my attention from the beginning. It is not a bad book, but I lost focus multiple times due to lack interest, which is partially my fault. Some of the stories that were told were partially repetitive. Overall this book was okay I would recommend this book to people who are interested in history and detective/spy stories.

2019-09-15 03:31

18 Lý Do Khiến Người Khác Thích Bạn - Tập 1 Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Nguyễn Duy Chiếm

This book was very, very good. The author does a wonderful job of crafting the world, and you can almost feel yourself there, beside the characters, taking part in the quest that will either end in the downfall of Darken Rahl or world domination, with Rahl as supreme ruler.

Người đọc Wikk Cfa từ Kalinino, Volgogradskaya oblast', Russia

Người dùng coi những cuốn sách này là thú vị nhất trong năm 2017-2018, ban biên tập của cổng thông tin "Thư viện Sách hướng dẫn" khuyến cáo rằng tất cả các độc giả sẽ làm quen với văn học này.