Felipe Rocha từ Khortytsya, Chernihivs'ka oblast, Ukraine

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11/05/2024

Dữ liệu người dùng, đánh giá và đề xuất cho sách

Felipe Rocha Sách lại (10)

2019-10-14 15:31

Học Viện Bóng Đá - Tập 7 Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Bá Diệp

I've heard that George Eliot considered this book to be her best. I can see where she gets that. I know that Romola is not considered to be a good book, but I think that Romola shows growth, particularly in explicit theme. This book is filled with transformations, but most are so sudden that they are likely to be problematic for the modern reader. I think that most Victorian people's experience with transformations might be from religious quarters and are likely to be sudden and complete. In our society, I think we get most of our ideas of transformations from rehab or therapy, which stress the process of transforming, which is likely to be gradual and incomplete. Because of this, I don't think that the book's rehabilitation is going to happen any time soon. Romola goes through several major changes in philosophy in this book. One of which (I'm sure) would be hotly debated by many women today. She puts duty above personal happiness under Savronola's guidance in staying with a husband who is both unfaithful and villainous. Her personal growth during this time is undeniable, but I think that some of the tenets she comes to embrace are so different from our ideas of what growth are that they are likely to go unrecognized. Tito's transformation is less jarring. It was interesting how Eliot introduced him. We knew practically nothing about him for the first 100 pages, but are gradually given a sympathetic view of him. It's only after a while that the emphasis on his upright appearances start to seem suspicious. His slide into villainy is gradual and built on lies and hesitations. This was just so well done. His descent reminds me of the dishonor that the captain in Adam Bede brought on himself through his weaknesses towards Hetty. His reasons for not seeking out his father (that he was comfortable and his burgeoning love for Romola) led to his alienation of both ideals that he sought. His decision to stay eventually estranged him from his true desires, but was something that he could not turn from. One aspect of the book that I thought was interesting was the time and action were shown in short bursts. We would follow the character for sometimes under a day, then the next chapter would start some 18 months later. I think that Adam Bede had something of this feature as well. But I think the structure did odd things for the reaction to the story. In some ways, it kept you off balance and uncertain of the progression of the story. It's also more stylized than the realism that Eliot is generally known for (which is a focus on the mundane). It was more like a play with acts and scenes than a book. For some reason, this book stayed with me long after I read it. I find its themes to be fresh and thought-provoking. One of her best, I would say, and criminally under-rated.

Người đọc Felipe Rocha từ Khortytsya, Chernihivs'ka oblast, Ukraine

Người dùng coi những cuốn sách này là thú vị nhất trong năm 2017-2018, ban biên tập của cổng thông tin "Thư viện Sách hướng dẫn" khuyến cáo rằng tất cả các độc giả sẽ làm quen với văn học này.