Ericka Castañeda từ Halase, Karnataka , India

erickacastaneda

04/29/2024

Dữ liệu người dùng, đánh giá và đề xuất cho sách

Ericka Castañeda Sách lại (10)

2018-04-30 18:30

Sắc Màu Hoa Handmade Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Nhiều Tác Giả

I read this because it was the book picked by Mondy for March's Writer and the Critic podcast, on which I was the guest (which is full of spoilers for the book). It's kinda my sort of book... and kinda really not. I am a Shakespeare Fan. I love me some Bard. Not the comedies, though; I love the tragedies and the histories. Oh, and Much Ado, but that's a whole 'nother story (one involving Kenneth and Emma and Ben Elton and Michael Keaton and Keanu...). So, a book that alternates chapters about Will Shakespeare Greenberg, aspiring Masters student at UCal, with the late-teen years of William Shakespeare in Stratford-upon-Avon, is in theory a very appealing one to me. And Winfield clearly knows (or got to know) his Shakespeare: there are allusions, and direct quotes, in I think every single chapter - and they all seemed effortless, too. I enjoyed the development of sixteenth-century Stratford. I'm not entirely convinced by man-whore Shakespeare, but I see the point from a narrative point of view, and it's not a completely ridiculous suggestion. Overall it was a reasonably interesting portrayal of his early adulthood. On the other hand, there was Will Greenberg. A book published in 2008 choosing the mid-1980s as its setting is kinda weird, although I understand why: Winfield was drawing (perhaps tenuous) connections between the persecution of Catholics by Elizabeth with the crackdown on drugs by the Reagan administration. The portrayal of a Masters student of literature was hugely stereotypical, sadly - although again I see the point from a narrative point of view, especially in terms of the drug use. It doesn't help the view of Arts students in general though, and the idea that marvellous ideas come in a flash of lightning or drug overdose is just annoying and unhelpful. It may be that I am a prude, but I got bored by the descriptions of drug use and the explicit sexual content; it got in the way of telling the story. So... not really my thing, actually. Certainly well written, in the early modern bits in particular; as a former history/lit student myself I found the brief discussion of literary theory, especially the bagging of New Historicism, pretty funny (I am a big fan of Stephen Greenblatt, one of the original proponents). But the characters weren't that engaging and the story wasn't that compelling.

2018-04-30 21:30

Trong Thẳm Sâu Tâm Hồn Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Jacquelyn Mitchard

Ashley has spent the past four years in a juvenile detention facility for a crime she didn’t commit. What the professionals had diagnosed as epilepsy and delusions are actually the manifestations of her unique status: Ashley is at the mercy of an ancient power and as a result, she alone can see the grotesque, often frightening creatures that permeate our world. She’s learned the hard way to hide her knowing, convincing authorities that she’s under control. But Ashley is very aware that trying to go home risks everything – her family, her chance at freedom and, quite likely, her own life. Goshko’s portrayal of Ashley and her family demonstrates how well he understands his characters and their issues; he handles dialogue and group dynamics especially well. Similarly his style and technique is spot on as he writes in a clear, crisp voice that is very appealing and reads easily. It is apparent that the ancient back-story and mysterious dimension that Ashley visits are richly complex for the author but, sadly, the novel does not allow the reader to share nearly enough. Taken individually, everything is superbly rendered; the characters, events, interactions, and particularly the fantasy elements (with the exception of creature names, which are unwieldy) are very enticing. However as a whole, the novel lacks impact. It is very much like discovering an iceberg miles off while drifting at sea: based on the protruding tip, it seems that it must be majestic and wonderful underneath but there is little opportunity to discover if this is true. At every turn, plot events – both major and minor - are given so little exploration or are resolved so simply that it is impossible to become immersed in the experience. The Book of the Nine Ides is tantalizing with its technical excellence and delicious, finely crafted accessories, but ultimately the story holds the reader at arm’s length.

Người đọc Ericka Castañeda từ Halase, Karnataka , India

Người dùng coi những cuốn sách này là thú vị nhất trong năm 2017-2018, ban biên tập của cổng thông tin "Thư viện Sách hướng dẫn" khuyến cáo rằng tất cả các độc giả sẽ làm quen với văn học này.