Riyan Ganteng từ Afanasyevka, Saratovskaya oblast', Russia

riyanganteng

05/12/2024

Dữ liệu người dùng, đánh giá và đề xuất cho sách

Riyan Ganteng Sách lại (10)

2020-01-16 16:31

Tin Học Cho Người Mới Bắt Đầu Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Trần Văn Thắng

Captivity, Linda Colley reports in this engagingly written and lavishly illustrated study, was an influential but understudied element of the British imperial project of the seventeenth and eighteenth centuries. Before the middle of the 1800s, Britain was a small nation with a massively overextended empire, and the experience of capture demonstrated the vulnerability of its subjects and how easily non-Western peoples could thwart Britain's ambitions. In the seventeenth century, England aspired to dominate the rich trade of the Mediterranean, but “the sea that enticed...could also entrap” (p. 41), and Barbary corsairs took and enslaved 20,000 Englishmen by 1800. Barbary captivity became a unifying event for the English nation, generating fund-raising campaigns for ransom payments and public processions for returned captives. The actual experience of slavery proved less than terrible for most of these captives – slaves under Islam could legally marry and own property – and those who were ransomed brought home a positive view of Muslims, describing them as an urbane people whose faith was less threatening than Catholicism. The second and third groups of English captives whom Colley studies were Indian captives, in both senses of that adjective: the four or five thousand colonists captured by American Indians in the seventeenth and eighteenth centuries and the 1,700 prisoners-of-war taken by the Mysore kingdom in the Indian subcontinent. Native American captivity induced “panics” in colonial settlements and inspired a popular genre of literature, the Indian captivity narrative. Metropolitan Britons were initially indifferent to colonists' suffering; later, when several thousand British soldiers became French and Indian prisoners during the Seven Years' War, Britons began to produce their own Indian captivity narratives, but with a more nuanced view of Indians than the colonists'. By the 1770s many came to see Native Americans as victims of colonial aggression, and American colonists as people unfairly demanding privileges denied to other imperial subjects. Later in the century, after the American Revolution reduced the British empire to a low ebb of power, the East India Company's isolated holdings in India came under pressure from Tipu Sultan, and during the Mysore Wars of the 1780s and '90s many British soldiers became prisoners. Their narratives emphasized both the vulnerability of the British empire in India and the virtuous perseverance of Britons against a treacherous foe. CAPTIVES strongly resembles Colley's earlier book, BRITONS, in that both identify similar factors shaping group identity: a large and dangerous external threat (the French Empire, the Muslim world), a belief in the nation's collective virtue and its underdog status, and the use of print culture to spread both ideas. In the volume under review, Colley argues that Britons applied the narrative elements of nationalism to the ideological construction of empire: until the 1850s, Britons viewed their empire more as an exotic domain of peril and suffering than as a source of pride and wealth. One might further argue that such an imperial narrative is far more compelling for ordinary people than one that exclusively focuses on military conquests and on painting the globe red. One ominous development in Colley's account is the increasing xenophobia of Britons toward their imperial allies and subjects toward the end of the eighteenth century. Before 1800, British captives were able to hold nuanced views of Muslims and Native Americans, but increasingly thereafter they tended to view colonial peoples as savage, effete, treacherous, or some combination thereof. Was this change a product or a cause of Britain's shift from an informal commercial empire to a military and administrative one? This is a question worth asking, perhaps in a future book.

2020-01-16 18:31

Cổ Tích Mới - Viên Ngọc Bùa Mê Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Nguyên Hương

Fire Season Field Notes From A Wilderness by Philip Connors was a delightful surprise on many levels. I have a longterm history of loving the southwest and a great appreciation for authors such as Edward Abbey. Mr. Connors follows in the fire lookout footsteps of luminaries such as Mr. Abbey, Jack Kerouac, and Normal Maclean. He has served up a a truly wonderful narrative on life and the affect that man and fire have had in the mountains of the southwest. Fire Season is basically two narratives in one. Mr. Connors alternates between sharing his own stories and ruminations on life as a fire lookout atop Apache Peak as well as giving the reader an overall history of the mountains of New Mexico and the evolution of forestry response to fire beginning with the creation of the Forest Service in 1905. In many regards it is part memoir and part forestry lesson. While I enjoyed this book a great deal, it is not for everyone. For those who turn a blind eye toward history this book will probably miss the mark. For those with an appreciation of nature and how complex dynamics such as livestock grazing, watersheds, fire suppression, and bureaucratic blunder affect our natural world, this book will probably be a wise choice. Having spent many of my formative years hiking the trails and fishing the waters of Oregon, I felt quite at home and really enjoyed myself. While I enjoyed both aspects of the book, I found myself pushing through to the parts where Mr. Connors romanticized his personal experiences of life as a lookout. His observations and descriptions of detail were both interesting and educational for me. Not to say that the history lessons were not interesting, because they were, but I preferred to read his words on the experience of living atop a 10,000 foot mountain for 100 plus days a year. I would whole heartedly recommend this book to anyone who can appreciate a good nature read, especially those with a bent toward the southwest.

Người đọc Riyan Ganteng từ Afanasyevka, Saratovskaya oblast', Russia

Người dùng coi những cuốn sách này là thú vị nhất trong năm 2017-2018, ban biên tập của cổng thông tin "Thư viện Sách hướng dẫn" khuyến cáo rằng tất cả các độc giả sẽ làm quen với văn học này.