Nhật Ký Nguyễn Ngọc Tấn tải về miễn phí cuốn sách

Angela Mateus angelaskada84 — I know this is controversial as not everyone liked it, but this was a fantastic book. Vanderhaeghe has also written some phenomenal short stories, which I recommend everyone digs up. Great stuff.

Ilya Gleikh ilyagleikh — Great literature is "Great" provided the notion that such books worthy of this distinction are virtually guaranteed to satisfy; and there is more to absorb, yet as much as there is given. Helen Hunt Jackson’s Romana can be considered among those ranks, as it stands the test of time, on through the new generations of readers such as myself, and thankfully so. This book is like a perfectly aged wine in that it only grows sweeter with an artful bitter undertone, the further you get in the narrative, the more time that elapses among readings, liked timed and patient sips. It is one of those books you do want to end, but, at the same time, yearn for that peaceful resolve to its enthralling arc. The narrative is much like an archetypal design plot for a telenovela. The characters are classic in their roles and fit well into the historical periodization of the realistically fictional account of a young girl’s maturation through progressively tragic trials and tribulations. Ramona, or Majella, as she is known by the numerous California-based Native American tribes that appear in the story, is religious, innocent, and beautiful, young Moreno princess of the Mexican California Republic with a dark and secret past. After her falling in love with the young, handsome, and honest Temeculan, Alessandro, was discovered by the matriarch of the noble estate of her residence, Ramona is cast out with her young Native American prince into a world of love-filled devotion wrought with hardship and despair. The story is set in the mid-to-late 1800s when the Anglo-Americans where beginning their hostile settlement of Southern California. As such, the couple is driven from one paradise to another, until they are left with no options but to seek refuge in a hidden canyon on a mountain peak. My use of the term “paradise” refers to the beauty of California’s natural environment as portrayed in the book. Actually, Jackson’s literary landscape paintings are one of the best qualities of this novel. This book does far more than the customary ‘noble savage’ genre, popular well into the 19th century, strives for. And Jackson has a remarkable way of unearthing the psychological states and motivations of her characters that gives a potentially superficial type of romance novel into a true work of literary depth. Jackson addressed many still controversial themes with a distinct sharpness and with a quality of timeless poignancy that can pierce the hearts of those with any shred of compassion left for the truth of both this State’s and this Nation’s painful history. Much of the writing provokes an emotional reaction. Her fleshing out of characters makes us care for and admire the heroes and heroines of the story just as much as we harbor a disdain for the villains. I wonder if Aunt Ri was meant to be a direct characterization of Jackson's personality and sentiment. This writing in this book is so rich, I am not sure if I would like to see any of three film versions based on it because I am afraid it might blemish the delectable taste it has left in my heart and mind. Bottom line if you are Californian, read it.