Christina Fitchett từ Gračišče, Slovenia

cfitchett

06/16/2024

Dữ liệu người dùng, đánh giá và đề xuất cho sách

Christina Fitchett Sách lại (10)

2019-02-02 18:30

Tắt Đèn Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Ngô Tất Tố

Although often described as a meditation on the vacuity of the 1980s, it's probably important to realise that an era cannot by itself create a state of vacuity, but only acts as a trapping. In this case, the 80s represents a sticky glut of technology, fashion, and media (does it sound very different to today?) that ultimately confuses and paralyses, eliminating feeling - and thereby the possibility of redemption - through sheer saturation. But psychotic behaviour is not new; it exists in everyone (in general), or at the very least in every man. It's more a question of those who indulge in it and those who suppress it. The reader should therefore not be surprised at the ease with which Patrick Bateman (the villain and narrator) seduces us. He is as classical a gothic figure as any that Poe created, and has all the darkness and all the comedy, without quite the campiness and more wit, of a young Vincent Price. He is so beau that he is often asked if he is a model or an actor. This makes him more of an act of a gothic character than the real thing, but the artificiality here is appropriate. We abhor him, yet he resonates nonetheless. More secretly American Psycho probably also raises the occasional hard-on, which as the delineation between sex then rape then murder dissolves - and really, murder is just another form of pornography - makes us question whether not being consciously shameful of this, at least until after the chapter is over, is a natural reaction or not. Patrick's hatred is born of a surprisingly touching fear of everything that is not a part of his own construction; anything with the possibility of gentle or joyous emotion by its nature cannot exist for him, and must be destroyed. Tossing a handful of coins into a seal pool in an attempt to choke them, he tells us that "[i]t's not the seals I hate - it's the audience's enjoyment of them that bothers me". Shortly after he stabs a five-year-old child in the throat and is not satisfied; the child had "no real history, no worthwhile past" and the killing leaves him empty. By conflating the extreme opposites we see not only the boundaries of human abbhorence - apparently limitless, there is little that Patrick would not do in the mutilation and annihilation of a human - but also, in our own sympathy to him, the extreme lengths humans are willing to go to to forgive one of their own, to abstract the blame into something larger and ambiguous. Or perhaps we should be more cynical, and suggest that our sympathy for him is merely of our own inclinations towards such darkness - again, classical gothic. There is more to pick up here, much more, that distinguishes it in many ways as a product of the modern era, but I feel the main lesson here is not in the story but in our reactions to it, of our own following self-analysis. That's what I got anyway. For some it may simply result in a deadening of certain senses, disgust or paranoia; for me it was all good for self-awareness. Damn, out of space - I'll have to try to post the rest of the review in comments!

2019-02-02 20:30

Săn Chồng - Tái bản 05/12/2012 Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Đường Quả Mạch Tử

Charles and Emma: The Darwin’s Leap of Faith” tends to be less contentious and more readable than one might imagine. Aside from a jacket illustration that pits silhouettes of an ape and Charles against a cross bearing Emma, the book is relatively free of such obnoxious notions. The writing style is comfortable and does focus on the relationship of Charles, Emma and their families. At times the book reads like Jane Austen, but that only lends authenticity to the voice that Heiligman is determined to expose. The Darwins lived in a very different world; one much more severe in terms of its tolerance for religious ambiguity. It was a world fraught with sickness, tragedy, and little medical science. As a result, lives that were hanging in the balance would be treated with over the counter medications today. Similarly, breakthroughs in the life sciences seemed years away. Readers young and old should enjoy this book, but they must be prepared for a challenge. They must be prepared for an intellectual challenge that will serve to strengthen their beliefs as they reconcile God and science. And challenges are good. They help us deepen our understanding and commitment to the reasons that drive us as human beings. The book focuses most of its energy on the relationship of Charles and Emma. To this end, it was most successful and entertaining. As a broader biographical work the book also gives the reader some perspective for the times in which the Darwins lived. Perhaps the single most impressive accomplishment of Charles and Emma is that it is a biography about a great scientist that should interest girls. In true Jane Austen fashion the story is resolved. 4 out of 5 John Parker Media Coordinator Andrews High School 50 HS Drive Andrews, NC 28901

Người đọc Christina Fitchett từ Gračišče, Slovenia

Người dùng coi những cuốn sách này là thú vị nhất trong năm 2017-2018, ban biên tập của cổng thông tin "Thư viện Sách hướng dẫn" khuyến cáo rằng tất cả các độc giả sẽ làm quen với văn học này.