Dữ liệu người dùng, đánh giá và đề xuất cho sách
Sách được viết bởi Bởi: Triệu Thị Chơi
a stunning take on faith, martyrdom and rebellion. A must-read.
Sách được viết bởi Bởi:
Tiene valor para estudiosos de la poesía. Valor literario escaso.
Sách được viết bởi Bởi: Nhĩ Nhã
Read it and be angry.
Sách được viết bởi Bởi: Bardo Thodol
This was a fantastic book and I thoroughly enjoyed every minute of it. I did take longer than usual to get through it because I was listening to the audiobook version of it rather than reading it but I think that only enhanced the story. The combination of Tamora Pierce's clever storytelling and Susan Denaker's absolutely spot on reading of it were fabulous. It truly felt like I was being told the long tale of Beka Cooper's first month and a half as a puppy. In fact I enjoyed it so much that as soon as I was informed I'd reached the end of the story I just had to start the next installment!
Sách được viết bởi Bởi: Lý Nhân Phan Thứ Lang
Référentiel assez impressionnant de tout ce qui a flotté sous pavillon militaire durant la période. C'est l'époque des changements majeurs voiles -> vapeur, bois -> acier, boulet -> obus, et des essais plus ou moins fructueux d'innovations techniques et de doctrine. Le livre n'est pas une étude en soi, mais un bon référentiel technique pour approfondir la période.
Considered by some to be one of the greatest post-war American novels. As with many of Purdy's novels, it concerns itself with the act of writing itself and how reality is fabricated in the novel. Cabot Wright the central character is a serial rapist newly released from prison.The book concerns an attempt to make a best selling novel from his story. To 'write the truth like fiction' as one of the characters says. In one crucial scene Cabot Wright describes his unfurnished room unfurnished room. 'I have you see four or five wallpapers, one under the other. They wear down gradually all of them to the original willow pattern over the calcimine itself, then robin readbreast, scenes at the forge, water lilies, peasents in ancient France.' In a way Cabot Wrights identity like the wallpaper is a series of identities imprinted on him by society. But stripped away you end up with a blank. It is difficult to love the characters in this book, no one is particularly likable. But that's not the point. This is a book about identity. At times it reminded me of Desolation Row by Bob Dylan (also written in 1965). For instance this scene: 'Everywhere he saw those engaged in race-track betting, gambling and other realated pursuits, professional cat and dog walkers, disappointed unpublished authors, longshoremen unhired or laid off for some reasons, plain clothesmen resting until their suspected turned up, photographers, reported hoping to run into stories, worried businessmen out to think things through, senile Spaniards who still discussed Franco, young men in Bermuda shorts, the crippled ministers of churches getting ideas, social workers "out in the field", shoe clerks out for a smoke, nursemaids, homemakers, cooks, and children not at camp.' Not sure whether this book is still in print, but worth checking the second-hand bookshops for. HA!
Sách được viết bởi Bởi: Trần Trọng Dương
I found the book high on originality, only so-so in development. I have not had any experience with this population group either as a teacher nor as a social worker, but I could not but help wonder if perhaps some of the capabilities of the narrator were unrealistic for someone with his set of disabilities. I could not put my finger on the exact cause of my malaise, but I am sure it wasn`t the subject matter, but the possibility of its unrealistic depiction.
Sách được viết bởi Bởi: Angela Banner
I love her tone, she writes beautifully-could have spared some foul language but an exciting get away novel. It made me crave curry dishes & left me wanting to wear a sari! If India is truly as beautiful as it sounds in this book then I can't wait to go.
Sách được viết bởi Bởi: Dương Nghiễm Mậu
A Catholic who loves Nietzsche!!! Shocking! He keeps me grounded.
Sách được viết bởi Bởi: KS. Nguyễn Văn Khoa
Her tendency to "stand gaping" and become "breathless" aside, Annie Dillard's writing is lovely, evoking things like rough palette knife paintings and softer pastel drawings, tactile and olfactory novelties, patience. She does a lot of waiting, and sitting, and watching, but it all seems quite effortless when one's reading about it. There's not a lot of stillness, which makes sense for a book about nature. There are constants throughout the book--complexity, fecundity, the certainty of death and rebirth and all of that--but the only really still thing is Dillard, the writer and watcher. She manages to put a great deal of herself into this series of meditations of Tinker Creek, without in the least seeming self-absorbed or passionate at the expense of lucid observation. Good book to read while stuck in a basement temp job where you can't see the sky. It will make your cabin fever worse, though. Ed. 3/17/08: I've been finding lately that I keep coming back to this book, reading the chapters out of order or in different combinations, and that each time it's possible to get something new (or differently-nuanced) out of it. So I'm adding another star, because it seems like a good thing to do.
Người dùng coi những cuốn sách này là thú vị nhất trong năm 2017-2018, ban biên tập của cổng thông tin "Thư viện Sách hướng dẫn" khuyến cáo rằng tất cả các độc giả sẽ làm quen với văn học này.