Roger Ennis từ Abhirampur, West Bengal, India

roadene

12/22/2024

Dữ liệu người dùng, đánh giá và đề xuất cho sách

Roger Ennis Sách lại (10)

2019-03-01 17:31

200 Câu Hỏi Và Lời Giải Đáp - Vận Chuyển Và Truyền Thông Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Rahul Singhal & Xact Team

Almost a week later, I'm still pondering the ending of Beatrice and Virgil, the most recent novel by Life of Pi author Yann Martel. For Pi alums, that won't entirely surprise you. To me, a book that grabs you on the first page, keeps you moving steadily and with increasing intensity, shocks and surprises and offers you intriguing glimpses into an array of human endeavors, and then leaves you rather gratified yet stunned and moved at the end: All that rolled into one spells one fine book. Here, Martel returns to his explorations of inter-textuality and of our human drive to recreate our messy lives in somewhat tidier or at least more fathomable stories. And again we begin in one fictional reality and then journey with his central character, in this case a writer named Henry who echoes Martel himself, into an allegorical world of uncertainty, challenge, wry humor, and even violence, and finally return to a reality parallel to our own to reflect on the horrors that leach into our workaday lives no matter how carefully we strive to deflect them. And it will come as no surprise that in his attempt to bring renewed immediacy to literature of the Holocaust, Martel reaches back to the Absurdists to frame some of his allegorical commentary. The world within a world here is not a high-seas adventure as in Life of Pi, but rather a Beckettian play starring a donkey and a howler monkey within the frame of a writer's attempt to recreate his life in a foreign city when his writing career stalls. The questions Martel explores with us include a Life of Pi-esque focus on the cruelty of humans toward not only their own species but toward all other animals as well. Yet what makes all the difference here is protagonist Henry's central question: How might one write about the Holocaust in a manner that offers the philosophical & historical depth of an essay and the freshness of narrative fiction? Beatrice and Virgil acts as a vehicle to explore this question, and although certainly we see some comparable concerns and devices to those in Life of Pi, neither the intention nor the result is in any way similar. When it was first released, some critics railed at the very thought of a non-Jew writing a book attempting - in any way - to address the Holocaust. If you are willing to move beyond that concern to embrace a novel that respects its content but takes a unique tack in attempting to make us re-see an ever-present and understandably oft-treated topic, then you would do well to set aside a few hours for Beatrice and Virgil. In my estimation, better to stretch toward greatness on a challenging subject than to set one's writerly sights low and create a neatly constructed but depthless work In truth, saying any more than this would spoil your potential experience of Beatrice and Virgil, and I want you to read it. To transform your life and change the world with every book you read - whether you loved it or not, learn more about Action Reading by visiting me at http://whatsheread.blogspot.com.

2019-03-01 18:31

Lăng Kính Tâm Hồn Thư viện Sách hướng dẫn

Sách được viết bởi Bởi: Trish Summerfield

A mystery, a romance and a perfect blend of gothic spookiness, what's not to love? Linda Martin arrives at the Chateaux Valmy high in the French Alps to care for young Comte Philippe, recently orphaned and in the care of his uncle Leon and step-aunt Heloise de Valmy. When Leon's son Raoul arrives, Linda finds herself falling in love, although things are not as they appear and Philippe begins to have several life threatening accidents. Or are they accidents? Is there something more sinister involved? Could the person behind these attempts want to set Linda up as the scapegoat? What about her beloved Raoul? Could he have a part in this deadly scheme? That's about all I'm going to tell, you know I'm not into book reports or spoilers. Linda was a charming Jane Eyre-ish type of heroine, and I loved the dark mysterious Raoul (ooh, that midnight "buffet"). Stewart has a lovely, subtle style of story telling and keeps the plot moving without too much in-your-face telling instead of showing and very reminiscent of Du Maurier. I also loved how she worked the mists and clouds of the high mountains (as well as that hair raising zig-zag drive to the Chateaux) to set a properly spooky atmosphere, "Out into a patch of clear darkness, and then another cloud was on us, but this time thin, so that our yellow-dimmed lights made rainbows in it that wisped away along our wings, and we were through." All in all a perfect book to cuddle up with for a rainy day, my only complaint is she took a tad bit too long to wrap all the lose ends up, so I'm knocking off one star. 4/5.

Người đọc Roger Ennis từ Abhirampur, West Bengal, India

Người dùng coi những cuốn sách này là thú vị nhất trong năm 2017-2018, ban biên tập của cổng thông tin "Thư viện Sách hướng dẫn" khuyến cáo rằng tất cả các độc giả sẽ làm quen với văn học này.