Đã Biết Tương Tư tải về miễn phí cuốn sách

Jaddesign Jesus creaciones_ — Un final decepcionante para una serie por lo demás bastante divertida, aunque este libro sin duda recupera algunas de las sensaciones tontas y divertidas que hicieron de las tres primeras "Trilogías de autostopistas" un clásico entre los fanáticos.

Grant Payne mynameisgrant — I can't finish this. It's boring! I don't know, perhaps as I've grown up, Oprah's tastes and mine have diverged wildly.

Andres Chavez ndrew14efc2 — This is short Japanese fiction at some of its finest. The book doesn't really have much of a plot, which is what kept me from giving it five stars, but the rest is pure gold. The English translation is well-done, and has some beautiful moments of description. It says a lot with a little, and opens up wide avenues for discussion. The characters, and the novel as a whole, are rather fatalistic from the start. It is obvious that they easily confuse the ideas of honor and glory with death, a mistake made by many cultures throughout history. Yet it seems especially poignant here, in post war Japan, where Noboru in his innocent child-like way sees that this might be his last chance to truly be free by committing violence before he can be tried as an adult. I cannot dismiss the notion that he is merely an allegory for the whole country of pre-war Japan itself - one that on the verge of maturation into adulthood on the world stage, coming fresh out of the isolationism of its youth, is compelled to assert its power over its unsuspecting neighbors. He becomes totally unsympathetic, especially in how he adores the Chief, hanging on every word and believing it unflinchingly, even when the Chief immediately contradicts himself (from page 162-163): We all know that the world is empty and that the important thing, the only thing, is to try to maintain order in that emptiness. This rings hollow. And Noboru's acceptance of it without bothering to think for himself conjures up the image of the televangelist: heard and seen, but never really listened to by the accepting masses. Of course, we can no more feel pity for Ryuji, as from the beginning he sees in domestication the end of all things. Thus the conflict of the novel - in truth, all its substance - comes from the intersection of these forces, opposed as we might expect, aligned in ways we dared not imagine.