Nàng Tiên Xương Rồng - Tìm Hiểu Về Động Vật tải về miễn phí cuốn sách

Adriana Bica adcbi — i'd give this book 3 1/2 stars! It seemed to be a little slow in the beginning and lacked detail but after page 100 things reved up and i didn't want to put it down. Allie Beckstrom is a hound,on her 25th birthday her life gets a bit crazy, being accused of murder, mysterious romance, on the run, and people out to kill her. think things couldn't get worse? well, on top of all that and then some, she sometimes loses bits and pieces of her memory after using magic. there is always a price to pay for using magic.

James Olstein jamesolstein — I wonder if anyone finds it all that interesting to read tales of selfish flaky women whose vision is tunneled to their own narcissistic existence. Sure there's some random descriptions of lesbian sex, which seem to be a focal point in a few reviews I have read, but these sections are few and far between (thankfully). The main story is told through the ever-fretting and forever-self-obsessed eyes of a truly unlikeable character. I don't sit with the camp that thinks all characters must be attractive for a book to be good - indeed, some of the best books around feature loathesome characters who are all the more interesting for it - however, Nancy doesn't offer a whole lot in the way of real depth to this book. She's a cookie cutter template of superficial stereotypes, but is thankfully balanced by the other characters in her story that actually puncture the bleak egoism with some differentiating chatter. Basically this book was straight forward enough to read and never felt like a struggle despite the lead voice. I'm not one for period pieces and I'm not all that big on hearing about the contrived inner monologues that happen within pathetic women's heads when they falter at the first sight of someone attractive. I mean, grow the fuck up! It's the same thing that made that Twilight book so appalling...

石丸 靖 gracefulyoe290 — From Midnight Children on, seems that Roshdie’s preference moves tward the language rather than the narration itself. Comparing ”The ground beneath of her feet” and ”Midnight children” one comes to a more beautiful language but less interesting events. در اثار رشدی زبان از زیبایی خارق العاده ای برخوردار است. واژه هایی که رشدی در زبان انگلیسی ابداع می کند و عمدتن مخلوطی از انگلیسی هندی- بریتانیایی ست، گاه به توجیه صحنه، عمل یا شخصیت در روایت کمک شایانی می کند. بسیاری از واژه های ابداعی رشدی در انکلیسی بریتانیای امروز به راحتی جا افتاده و معمول شده است. در "زمین زیر پای او(زن)" آن چنان که در "بچه های نیمه شب" و "شرم" دیده ایم، داستان دیگر به اندازه ی فضا سازی و بیان منظور از اهمیت بالایی برخوردار نیست.