Những Bài Toán Thú Vị Dành Cho Học Sinh Tiểu Học - Tập 1 tải về miễn phí cuốn sách

Paul Lewis pjlproductions — I read it. It's about a girl from a different place moves and she fell in love with a vampire. And I already read it.

Adam Bowling adambowling — When I first read about this book, I thought I would love it: Hong Kong, family secrets, thoughtful and secretive teenagers, loss. Right up my alley, right? Then, as I read it, I really wanted to hate it, because Alice Greenway is writing about the things I tend to write about (family secrets, thoughtful and secretive teenagers, loss). And she does it sooo beautifully. Her prose is so taut that it almost hurts. But I couldn't hate it. It's stark and lyrical, yet pulsing with energy and raw pain. And Greenway is one of the few writers I've seen (Asian or no) to describe Hong Kong and Chinese culture in a way that felt authentic and real, rather than guidebook-y or history-lesson-y. Simply put, this is a beautiful book. Not a perfect one, by any means, but beautiful. And it's tiny--only 170 pages or so. I always want to know if a novel can be written as tightly and compactly as a short story, and White Ghost Girls suggests maybe so.

Emi Mo _i_o — Set in post-apocalyptic America, “The Road” is moving story of love and survival. McCarthy writes with a unique (and occasionally distracting) style, but once one gets used to it, this is a truly fine book. There are definitely messianic overtones to this story; however, unlike many who use this technique, McCarthy does not overdo it, and thus it does not detract from the telling. The boy is not our savior, merely our conscience.

Gump Marketing gump — now I need to be alone for several days, just to think about this book.

Tom Turpel tomturpel — I'm not a big fan.

Mango Wang a7426016943347 — Let’s talk about love triangles for a moment: I am really not a fan of them. If they’re handled well, then fine, I can stomach them. However, the trend in a lot of romances and young adult (especially in recent years) is to shove two guys into the reader’s face, with a clear favorite and use that as ~drama~. And that I cannot stand. Which brings us to Darkest Hour. While the first two books did have a slight love triangle subplot (in the form of guy crushes on Suze, ends up being driven away due to her position as a mediator; book 3 had a different situation), this book sets up the main arc for the second half of the series with Paul. Again, the biggest problem I have in this is that Carmel always turns out to be Mediator City, USA when we learn that Jack (and later, his brother) are both mediators. (Again, how did Suze not know about anyone else in Manhattan who had the same powers? I can understand her not wanting to talk about it, but still, I find it very doubtful.) The one thing I enjoyed about this is Jesse’s backstory, and how we learn more about his short life. I liked that he gets some sense of closure, even if he doesn’t end up leaving the mortal realm. However, Paul is a really undeveloped character, and using him as an antagonist in this does come out of left field. It feels more like a filler book than the previous two entries, even though a lot of plot points are set up in here.