The Unseen World Bởi Liz Moore
The Unseen World tải về miễn phí cuốn sách
Trên trang này chúng tôi đã thu thập cho bạn tất cả các thông tin về The Unseen World sách, nhặt những cuốn sách, bài đánh giá, đánh giá và liên kết tương tự để tải về miễn phí, những độc giả đọc sách dễ chịu. The Unseen World BOSTON, 1980 Ada Sibelius is twelve years old and home-schooled. Her days are spent in a lab with her father David, a computer science Professor, and the brilliant minds of his colleagues. David is widely regarded as one of best in his field. That is, until he starts to forget things. When David is diagnosed with Alzheimer’s, Ada’s world falls apart. But when he leaves a floppy disk for his beloved daughter, she has no idea that the coding within it holds the key to a past that her father refused to talk about. Navigating her teenage years without his guidance, will Ada be able to piece together the father she lost? Cổng thông tin - Thư viện Sách hướng dẫn hy vọng bạn thích nội dung được biên tập viên của chúng tôi thu thập trên The Unseen World và bạn nhìn lại chúng tôi, cũng như tư vấn cho bạn bè của bạn. Và theo truyền thống - chỉ có những cuốn sách hay cho bạn, những độc giả thân mến của chúng ta.
The Unseen World chi tiết
- Nhà xuất bản: Windmill Books
- Ngày xuất bản:
- Che: Bìa mềm.
- Ngôn ngữ:
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- Kích thước: 12.9 x 19.8cm.
- Cân nặng: 380 gr
- Trang:
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The Unseen World Sách lại
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carlandre
Carl André carlandre — Not bad. Better than The Boyfriend List, not as good and The Disreputable History of Frankie Landau-Banks.
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camoladd16
Cameron Dawson camoladd16 — The history of Dr. Faustus, both in performance and composition, is obscured by legend and shrouded in surmise. We know it was wildly popular, but not when it was written or first performed: perhaps as early as 1588, when Marlowe was twenty-four, or perhaps as late in 1593, the year Marlowe died. At any rate, it so captured the public imagination that people told stories about it. The most vivid of the legends tells us that real devils were once conjured during a performance, that actors were confounded, spectators driven mad, and that the Faustus who spoke the summoning words, the esteemed actor Edward Alleyn, renounced his profession from that day forward and spent his remaining days performing works of charity. Even the play itself is a bit of a puzzle, for it has come down to us in two different texts; the brief quarto of 1604 and the longer quarton of 1616. Early critics tended to prefer the earlier quarto, seeing it as a “purer” version, purged of “low” comic scenes, but later critics like the 1616 Faustus better. Its “low” scenes—although probably not written by Marlowe—serve an artistic purpose: they show us how Faustus, a self-immolating hero who once desired to plumb the depths of knowledge, soon degenerates into a shabby conjurer, a practical joker who amuses himself by cheating a peasant out of a horse. Was his immortal soul bartered away for this? (Personally—being something of a “low” type myself—I enjoy a lot of this buffonery, particularly the scene in which an invisible Faust and Mephistophilis steal all the fine dishes from the pope’s banquet and drive him and his cardinals from the hall). For my taste, Marlowe’s play is the best version of the legend—better than Goethe, better than Thomas Mann. He wrote it at the very moment when the adjective before “humanist” was changing from “Christian” to “secular,” when his hero--at one and the same time—could be admired as an icon of human daring and and pitied as a sinner irrevocably damned. His Faust is not so much self-contradiction as paradox, as gestalt: faces-and-cup--filling the foreground, fading out--forever. There are many memorable passages in this play, including Faustus' opening and closing soliloquys, Mephistophilis on Hell, Faustus on Helen of Troy, and the parade of the Seven Deadly Sins. But I prefer to quote Faustus describing with delight a journey he took through the air: Sweet Mephistophilis, thou pleasest me. Whilst I am here on earth, let me be cloy'd With all things that delight the heart of man: My four-and-twenty years of liberty I'll spend in pleasure and in dalliance, That Faustus' name, whilst this bright frame doth stand, May be admir'd thorough the furthest land.... Thou know'st, within the compass of eight days We view'd the face of heaven, of earth, and hell; So high our dragons soar'd into the air, That, looking down, the earth appear'd to me No bigger than my hand in quantity; There did we view the kingdoms of the world, And what might please mine eye I there beheld.
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191073875195e1
刘雨轩 刘 191073875195e1 — Did not live up to the hype.
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