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Naiza Mello naizamello — A Very Long Engagement tells the story of Mathilde, a woman who has been told that her fiance, Manech, died in the war. Something seems fishy about his death so she begins to investigate. She wants to know what happened to him, and something keeps telling her that he is still alive somewhere. She soon learns of five soldiers condemned to death for self-mutilation, one of them was Manech. The reader unravels the clues along with Mathilde as she receives more and more information about her fiance's mysterious death. Honestly, I did not like this book at all. There were too many characters and unnecessary details. The whole book was very confusing and I didn't actually understand what happened until the Chapter where she talks to "That Man". I also did not think that this book taught me a lot about WWI. I wasn't expecting too be a history book of course, but I thought I might take something away from it. If I learned anything, it was that the people fighting in the war were not good to there soldiers. Some of them lied and some were thieves, it seems that they were not very good people. I also thought maybe it would give me a better idea of life in France at the time, but again, I was mistaken. It does not describe France from the point of view of an average French woman or even someone without bias at all, it shows France from Mathilde's perspective. Mathilde is not average at all. First of all, she is in a wheel chair so people treat her differently (and I will have to agree with her character that just because she is in a wheel chair, it doesn't mean she is any different, but not everyone in France thinks the way we do). Second, she doesn't describe France because she lives there and why would she need to show the reader something she has already seen. What I mean is, if I was writing a diary entry and I said: "I walked into my room." I wouldn't describe what my room looks like. I already know what it looks like! Adding "it was small, and my clothes were all over the floor." would not make any difference to me because I am the one reading it and I already know what my room looks like. The book was written for the benefit of the character, Mathilde, so therefore she does not need to give an accurate description of France because she already knows what it is like. Third, Mathilde was looking for her "dead" fiance. How many women had the time and the means to go and investigate the death of there loved ones? In the book there were two. One was Mathilde and the other was Angelo's lover. All of the other widows accepted the fact that there husbands were dead and had to go on with there lives because they had to support themselves and/or their children. Mathilde however, had this unlimited supply of cash to fund her investigation and she didn't have to work at al. She basically had all the time in the world and all the resources she needed at her fingertips. I feel like this was not the usual case for widowed women in France after WWI. There were too many characters, places, different perspectives, names and it was all too much to keep track of. I also did not think this was a good book to read to help me understand life after WWI. I did not like this book, and I wont recommend it to my friends. I will probably recommend the movie though. I thought the movie was much better than the book. The characters annoyed me (mostly Mathilde), but it is much easier to understand. It also provides a good visual of France at the time, and the trenches.

Christa Valtcheva _hrista_ — Four stars instead of five because of so many feminist viewpoints and commentary. Give it up already, women are equal to men! Sheesh. Other than that, my first impression was negative because of a slow start. Six months later I picked it back up and loved it. First have is a chronological progression starting with the Whetherills and on through the present. I learned about the Crow Canyon Archaeological Center and plan to visit it this weekend! Does not paint as coherent and lucid a picture as House of Rain did, even though that book was just one non-archaeologist's theory. It needs a few maps just to show the boundaries of areas spoken of: Great Sage Plain, Delores Valley, etc. Lots of rivers and geographical features spoken of that get confusing after a while.

Daniela Galati _anielina — HIGHEST RECOMMENDATION! Grabbed this from my stash Saturday evening and started blazing through it, rapt! Could not put it down. Finished Sunday... Uncompromising portrait of petty slothfulness and violence in grim Brooklyn in the 1950s. The 1989 Jennifer Jason Leigh film was fine and disturbing, but it can't capture the earnest immediacy of this book and the machine-gun style of expression of the colloquialisms and the stream of consciousness. This is masterly, it seems to have flowed off Selby's fingers the way Kerouac's "On the Road" did. No quote marks or identification of speakers, but they're not needed because it makes sense without all that. (Books this good sometimes make me question the need for punctuation, actually...) I actually had difficulty trying to start this book in the past, but reading Joyce's "Ulysses" has raised my reading comprehension level greatly, so this thing flows like buttah. The terms "gay" and "Miss Thing" were already in use in 1957. Who knew? This is raw and frank and vivid and emotionally harrowing. The cold amorality of the city. Selby's expression is refreshingly free; he's a genius at depicting squalor... It's a world of coffee in styrofoam cups and queens who suck cum out of used condoms found in the park... This could end up being a favorite. Let's see. UPDATE: More than halfway through now. "Strike," which takes up the entire middle third of the book, is the kind of proletarian literature one rarely encounters. A real, on-the-ground look at a brutish, closeted gay married shop steward, swaggering like a little Caesar, trying to draw attention to his pathetic self...It's rare to see labor and unions depicted so unflatteringly in American literature. It's nice for a change to see actual WORK LIFE depicted in a book. Too often we get the after-hours doings of characters and nothing more in novels, always the sex bits and never the workaday stuff that takes up most of our daily lives. Gotta respect this. Great historical value in this book as well. I'd add this along with "The Jungle" and "Christ in Concrete" to the list of best prole lit. This part of the story starts with a hint of gay pedophilia and ends with an overt act of same. Not much that Selby shies from... Also must note, "Strike" is written in somewhat more a conventional style by comparison to the preceding chapters. Omniscent narrator and punctuation, though a lot of ellipses... (like that) Also, a must in the realm of gay/queer lit in its evocation of gay bars, drag balls, rough trade, and repressed sexuality taking the form of violence and compensatory extreme male hetero behavior. The heroes of the book, if there can be said to be any, are the stoic, browbeaten women. Selby's portraits of women are by and large sympathetic, even in the face of the menfolk's rampant misogyny. Women also are seen as sexual beings who want orgasms as much as men. I doubt this was commonly admitted in much other lit. in 1957. The last section of the book, "Landsend" is a concentrated portrait of a half dozen family tenants in the tenement block, alternating stories of the same characters. Heartbreaking vignettes. The old woman, Ada, probably the only truly sympathetic character in the novel. Selby's depiction of her reality is lyrical, perhaps the only real lyricism in the book. It gave me chills. This is a classic. Definitely a new favorite.