Thiết kế bài giảng Tiếng Việt 1 (Tập 1) tải xuống LIT miễn phí

Mariana Dragoni mdragoni1f54 — Really funny book. Laugh out loud funny. Standing in line, reading it on my Kindle in the Mac store and laughing out loud while people are staring at me funny!

Boldatwork Boldatwork boldatwork — Note to self: Don't make a contract to become a magical girl with a fluffy cute creature unless I want to keep my soul. This series, when the first information hit the web in December, really fired up both fans and critics of Studio Shaft (the studio responsible for the TV anime). People were pretty evenly divided, since Shaft now has their own individual signature animation style, and everyone was wondering if this was just going to turn into another typical Shaft-style show. I myself was wondering the same. I love Shaft, though they aren’t my favourite studio out there. Of course I had to give the show a try, and I loved it from the first episode onward. And then out came the manga, and my love for it only grew. This isn’t your typical Shaft project. It’s nice the directors mixed up their usual style on backgrounds and character design, and it’s even better that that translated into the manga project as headed by Magica Quartet. This series makes no apologies about its content, which is pretty contraversial within the anime/manga world. The “magical girl” genre has been around since the late 1960s, and has only grown in popularity since then. If you’ve heard of “Sailor Moon”, then you know what a “magical girl” is – usually a girl with magic powers as the protagonist, going through rough battles in order to come out a better person in the end. Usually those that grant her magic powers (if she isn’t born with them in the first place) are usually benevolent non-human creatures that only want to improve the world and save it from evil. Magica Quartet turns this on its head and asks us the question – “well, what if those benevolent magic power granting creatures didn’t really give a shit about saving the world from evil?” This story isn’t one of the usual magical girl tropes, it’s an exception to the genre and, even when it’s at its most unbearable/painful in content, it’s still one of the best new stories to come out of Japan within the last year. It’s not all sunlight and awesome transformation sequences. It’s not all about justice and selflessness – if anything, it’s the opposite. You’re sacrificing yourself, fighting Witches and Familiars for the power to make the wish YOU made come true. No one else can do that but you. I applaud Magica Quartet for making us think on this one. What would you do if you were offered a wish and the powers to make it come true? Would you question the price? Would you question your future should you choose to take Kyuubei’s deal and get your wish and powers at once? Magica Quartet makes us question our deepest desires and animal instincts and these days, in any kind of fiction, that’s pretty rare. (crossposted to librarything and witchoftheatregoing.wordpress.com)

Sara Nicastro saran950508 — I don't know why so many of the reviews/recommendations I've read for this book compare the hero, Flavia de Luce, to Lisbeth Sanders. I guess it's because they're both not your typical female mystery protagonist. The comparison doesn't seem fair -- I know which one I'd like my sons to marry (seriously, if she has a granddaughter...). On the other hand, I know which one I'd like walking home with my daughter after dark, too. Anyway, I need to get back on task, this, by gum, was a fun read with an utterly charming hero that deserves all the accolades and awards it's getting. Our 11-year-old hero (no, this is not a kid's book [not that there's anything inappropriate for anyone who's made it through Rowling here]) is a budding, self-taught, chemist with a curious mind and a stubborn streak a mile wide. Her family life is a mess -- but in a charming, amusing, English countryside way -- but our plucky gal has managed to get through it pretty much intact and for the better. So when she discovers a body on her lawn, yet the police shoo her away from the crime scene and dismiss her, she starts her own investigation. She's helped early on by a fact or two the police didn't obtain from her, and some that she kept to herself out of spite. Her father's arrest for the murder just adds fuel to her fire and becomes determined not only to solve the case before the police but to make them eat a good-sized helping of crow. Probably not much of a spoiler to say that's exactly what she does, because the book's not about that foregone conclusion, but in watching Flavia do that while making less than flattering observations about her older sisters. Highly recommended.

João Paulo paulocruzz — I hate this book. he is on this island and has this pocket knife/hatchet.

Ken Luke window_shutters — So far, unimpressed. The writing is snobby and self-important.

Vanesa Rocha vanesarocha — I have often taken for granted the importance of this book in my spiritual journey. I read it long before I realized I was struggling with some spiritual questions but realize now that I consider the concepts within to be the starting point for many of my core spiritual beliefs. You know how easy it is to forget the difficulty of riding a bike before you learned balance, momentum, and courage? But now you hardly give it a thought as you glide along the bike path? That's what happened to me. I recommend this book and think a re-read for myself would give even more depth and joy to my journey.