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Giovanni Nascimento giovannicdn — I really can't say enough that's good about this book. It's about growing up in war, getting old after, memory, love, everything. It inhabits this space somewhere between memoir and fiction, which for a midlife retelling of the Vietnam War, or secondhand stories - works. Works well. I give one of the stories to my grade 11/12 classes and it's usually the one they're most affected by.

Luciano Melo lucianomelo — “I would like to carve my novel in a piece of wood. My characters—I would like to have them heavier, more three-dimensional ... My characters have a profession, have characteristics; you know their age, their family situation, and everything. But I try to make each one of those characters heavy, like a statue, and to be the brother of everybody in the world.” ― Georges Simenon The prolific Georges Simenon. Georges Simenon changes the definition of prolific. At the height of his writing career he was writing and publishing 13 novels a year plus 60 to 80 magazine articles. He wrote on average 60 to 80 pages a day. Even a person not worrying about literary value would struggle to write that many pages a day. The public never had to wait long for the next Simenon novel. One day Alfred Hitchcock supposedly telephoned the author at home. "Hello may I please speak to Mr. Simenon." "One moment, please...I'm sorry, he's just started a novel." "That's all right, I'll wait." I have only read a few of the 350+ books that Simenon wrote. I like to travel with a Maigret in my luggage because I find them perfect for reading in hotel rooms or on airplanes. They are compelling, but I struggled to explain their literary value until I read the following summation by an expert. Pierre Boileau a Simenon devote explains the impact that the Maigret novels had on the public. "Before the advent of the inspector no one ever reread a detective story unless they had forgotten the ending. Simenon twisted the traditional rules of the genre so thoroughly that readers did not expect clear and simple answers to the standard triad of questions (who? how? why?). The important thing was not identifying the murderer but understanding him, decoding his own enigma instead of the puzzle posed by his actions, no matter how mysterious they seemed." Reading this book I came to admire not only the author's work ethic, but also marvel at his monumental sex drive. His second wife said that they made love three times a day and still Simenon would go visit the brothel or a mistress. He liked to write and he liked to have sex and devoted most of his day either chasing down that next word or chasing that next sexual conquest. If Simenon were writing today he would be sharing couch time with Dr. Drew and he would have loved the publicity. The Legendary Josephine Baker entertaining Simenon. She was one of his many successful conquests. He once boasted he made love to 10,000 women, but his second wife putting pencil to paper came up with about 1,200. Simenon was a wonderful promoter in an age when it was deemed inappropriate to hawk your own writing. At one point he was intending to lock himself in a glass booth so the public could gather and watch him write a novel. The scheme fell through, but still just promoting the nonevent sold books. He devised a ball and invited the aristocracy, homeless people, and hookers. It was an event that quickly escalated out of control and was talked about for decades. He was to say the least a dynamo. Prodigious amounts of energy and always trying to make the most of every moment. Once when greeting some journalists at the Hotel George V where he granted interviews he stated: "I'm glad you're on time. I don't mind having my wallet or some other object of value stolen, but not my time. Objects can be replaced, but who knows how much time any of us has left?" Good advice for all of us. I'm really glad that I read this book because now when I do read a Maigret, knowing more about his creator, I can certainly glean more from the plot with the overlay of Simenon's own life in the background of my thoughts. Well written, compelling biography about a legendary writer who certainly left his mark on detective fiction. He even nudges his way onto the literary bookshelves.

Neil Edrick neiledrick9806 — "Swords of Mars" is the 8th of 11 John Carter of Mars books that Edgar Rice Burroughs gave to the world. It first appeared serially in the "Blue Book Magazine" in six parts, from November 1934 to April 1935, and is one of the best in the Carter series. For the first time since book 3, "The Warlord of Mars," Carter himself takes center stage, rather than making a brief cameo appearance, and his return as the lead character is perhaps the best single element of this book. This time around, Carter goes to the Barsoomian city of Zodanga to put an end to the assassins guild that is thriving there. In the first half of the novel, Carter goes undercover to infiltrate this Murder Inc.-type of organization, and this segment is extremely tense and exciting. In the second half, Carter's wife, Dejah Thoris, in what to any reader of this series must come as an instance of Dejah vu (sorry...couldn't resist!), is abducted again, and Carter follows her kidnappers to one of the Martian moons, using one of that planet's first spaceships. His subsequent adventures on the moon propel the reader into the realm of pure fantasy. Both parts of the novel are as fun as can be, although very much different in tone. This novel features very few of the inconsistencies--both internal and with other books in the series--that mar every previous Carter novel. There are some, however. For example, the great Scarlet Tower of Greater Helium is referred to in this book, whereas in previous novels, this tower was referred to as being in Lesser Helium, and besides which, was destroyed in book 5, "The Chessmen of Mars." More of a problem in the current volume are the book's implausibilities. For example, Carter & company jump out of their spaceship on that Martian moon, without bothering to check on the moon's breathable air. Fortunately, the air is just fine, thank you, although Burroughs makes nothing of this...surprising, given the pains he had taken in previous books to explain the breathable air on Mars itself. The invisibility-inducing hypnosis that the moon people use against Carter is a bit much to buy, but that's alright; it's all in good fun. But Burroughs' theory that a person who lands on this 7-mile-wide moon would be the same relative size that he would be on Mars--in other words, that he would shrink in proportion to the planetoid's mass; his so-called "compensatory adjustment of masses"--is, as Carter puts it, "preposterous," though, as it turns out, such is the case in the book. Like I said, it's all in good fun. And this book IS as fun as they get. Oh...one other nice touch. As pointed out in the ERB List, a fine Burroughs Website, if you take the first letter of each first word of each chapter in this book, you will find a secret message that Burroughs incorporated for his new bride. A nice touch.