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наталья лушкина lushkina — A thriller devoid of pacing or exciting language. A mystery devoid of clues, foreshadowing, or facts. A tell-all of half-truths based upon a forged document written by a schizophrenic conman. A character-driven modern novel devoid of character. The second draft of Angels and Demons. Page-turning action thanks to the literary equivalent of pulling out at the moment of orgasm. A spiritual awakening built on new-age conspiracy theory. This book is many things, and none of them good, new, or interesting. However, it is an excellent litmus test for idealistic delusion. Upon the first reading, I must admit I found it a bit interesting, but then I turned the final page, and there was no bibliography. No explanation of how the author became familiar with all the concepts he claimed to 'faithfully portray'. He wrote this book and pretended it was a history book, and then refused to support it in any way. And any history you can't check up on is a bad one. He's no better than James Frey. In fact, he may be worse, since I know people who base their religious beliefs on this book, whereas Frey's only crime was wishing he was Scarface. And really, what macho thirtysomething male doesn't? Brown had good reasons for hiding his sources: they were forged by con-man Pierre Plantard and snuck into the Bibliotheque National in Paris back in the seventies. And it's not like Plantard got away with it, either--the whole 'Priory of Sion' thing was debunked thirty years before this book was even written. The artistic 'iconography' that figures heavily into the mystery is also completely made-up, and was declared ludicrous by an art history professor of my acquaintance. There are a lot of well-known symbols and allusions in classic art, but none of them resemble Brown's claims. The whole hinge on which the plot turns--the notion that an inverted triangle is automatically symbolic of women--makes about as much sense as declaring that the use of the swastika by 3rd century, BC Buddhists was proof that they were fascists. The rest of Brown's book is filled with the sort of cliched religious conspiracies you get from your first year as a theology student. Not only that, but these conspiracies were already explored by better writers in 'Foucault's Pendulum' and the 'Illuminatus! Trilogy'. Well, I've already done more legitimate historical research on this review than Brown did in his whole book, so I guess I'll call it a day.

Koorosh Ahadi _oorosh — If ever there was a science fiction book for those who don't like science fiction, The Sparrow is it. When the novel opens, we meet Father Emilio Sandoz, sole survivor of a failed Jesuit mission to Alpha Centauri. That's right. Priests in Space. Using a dual narrative structure in alternating chapters, we go back to learn how this bizarre mission came to be, while in the "present" we follow the efforts of Emelio's religious superiors to find out what happened to the broken man. And Emelio is broken, in both mind, faith and body. There are terrible rumors about what happened to him on the alien planet they visited, but Emelio is too traumatized to explain the mission's colossal failure. Watching the efforts of this broken priest to come to grips with his experiences is a grueling thing to read. But knowing the end somehow does not detract from the other narrative, which is how it began and unfolded. It seems that a signal is picked up at a remote radio observatory in Puerto Rico; a signal that sounds like singing. But it is singing that could not possibly be from earth. The technician who discovered the signal is friends with Father Emelio Sandoz, a parish priest working in the slums of Puerto Rico. Emelio, the technician Jimmy, and a handful of other vividly drawn and achingly real characters end up signing on to be the ones to find out where the signal is coming from. In the author's near-future world, national powers have shifted, but the Catholic Church still has resources. As they arrange the mission, and we bond so completely with the characters as they prepare and carry out their mission, that you will yourself to forget that only one will survive. The author, Mary Doria Russell has a anthropology background, which shows in the careful way she creates the alien societies that our missionaries encounter. This is a novel that deals with issues of religion, but without ever being heavy-handed or preachy. I'm an atheist through and through, but I found it fascinating how other people use faith to try and understand their experiences. Religion and science fiction could be a tough sell on their own, much less in the ingenious combo you get here. But Russell uses the formal framework of religion to tap into the truer issue of what it means to have faith, and the science fiction framework to examine what it means to be human. I've read this book twice, and both times it made me cry, but left me immensely satisfied.

Nuri Nunuri nurielgrpahic — one of my favorite fantasy novels. it has a great mythology about a family of necromancers who use their powers to fight evil and put the dead back down.