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Lucas Faria lucasfaria — "The Great Gatsby" is considered by many to be the zenith of American fiction writing in the last century. I won't say that it is the best American novel I've read but I will say it is probably the most perfect. Along with J.D. Salinger, Fitzgerald has got to be my favorite writer of fiction. As opposed to Hemingway's bluntness, and Faulkner's artiness, Fitzgerald's prose seems(to paraphrase Michael Chabon) to rain down from style heaven. His style in fact is like the ladies he writes about: cool, lean and absolutely enchanting. He would never dream of overwriting and knows exactly when to hold back for maximum effect. His use of the language is assured and consequently eminently readable. For that alone this should be considered the Mona Lisa of prose. What is astounding though is how he puts his sparsely elegant style to use giving his characters shade and depth. Fitzgerald is a true student of humanity and his skills of observation are razor sharp. He sums up his characters in sentences that read like aphorisms bulging with truth about the human condition. There's not a page goes by I'm not gasping at the depth of his vision and the economy he uses to express it. So far I've dwelt on how he wrote and not on what he wrote. People who'd back another nag in the Great American Novel derby knock Fitzgerald's sophomoric (their word not mine) obsession with romance between men and women. They reduce his works to the level of melodramatic tear jerkers. This is a gross simplification of his talents. Yes "Gatsby" focuses on a doomed love affair but it does so to illustrate the errors in thinking that he felt marred his generation. Gatsby is about the hollowness of the American dream as dreamt in the twenties. Fitzgerald looked around him (and in the mirror)and saw men and women locked in a frenzied and ultimatley doomed race for speed, money and sin. Gatsby and Daisy's love is doomed because their values have been distorted by money and comfort and opulence. They cannot see the depths because they are too easily distracted by shiny surfaces. When Daisy cries as Gatsby shows off his elegantly tailored shirts because she has never seen clothes so beautiful sums up perfectly how for her exteriors matter most. This is at the heart of the tragedy that unfolds before us in this delicious little novel. There is no denying this is one of the GREAT BOOKS. If you haven't read it do so. I dare you to not fall in love with it.

Georgeanna Foley georgeannafoley — I was hoping to learn something from this book, but unfortunately most of what I learned was how to start and possibly end each statement with profanity..... felt bad this happened to him, but was hard for me to relate to him on any level in this presentation.

Jorge Cobas jorgecobas — Very imaginative and a good adventure. Narrative can be a mouthfull in parts, but overall well written with strong character development and great fantasy elements. Emotionally satisfying and some surprisingly raw moments of violence. The theological thread is appropriate to the intended young reader audience, though I found it tiresome.

Thais Gunet thaisgunet — Self indulgent nonsense

Gonca Gülbahar lalendam — Every schoolchild learns about the mutually beneficial dance of honeybees and flowers: The bee collects nectar and pollen to make honey and, in the process, spreads the flowers’ genes far and wide. In The Botany of Desire, Michael Pollan ingeniously demonstrates how people and domesticated plants have formed a similarly reciprocal relationship. He masterfully links four fundamental human desires—sweetness, beauty, intoxication, and control—with the plants that satisfy them: the apple, the tulip, marijuana, and the potato. In telling the stories of four familiar species, Pollan illustrates how the plants have evolved to satisfy humankind’s most basic yearnings. And just as we’ve benefited from these plants, we have also done well by them. So who is really domesticating whom? Okay, okay, books by Michael Pollan are clearly a fad right now, but I have bought into it whole-heartedly. He is an amazing, amazing writer: he makes me want to plant a garden, to tour his garden, to only eat organic food, and to find out the story and origin of every morsel of food I put in my body. But he does it in a way that isn't overly preachy or agenda-driven. Instead, he lets you get what he is saying while at the same time telling an engaging, well-researched story, both personal and historic, and one that made me want to read quickly to the very end. It does make you wonder, however, what it would be like if plants could fight back…or maybe our dependence on the few varieties that now have weaknesses engendered by continuous cloning/inbreeding will result in a plant-revenge of our own “mono-culture” in the making.