Dữ liệu người dùng, đánh giá và đề xuất cho sách
Sách được viết bởi Bởi:
I am now reading the third book.
Sách được viết bởi Bởi: Nguyễn Hải Châu
3.5 stars
Sách được viết bởi Bởi: Rebecca Milner
This book inspired me to view the development of community projects with the care of the collective psyche/soul ( depending on whether a persons first language is science based or metaphoric based). Abt as a Jungian traier and a regional planner recognized that much discourse and planning of the "pragmatic sense" does not account for the very real collective psyche/soul which is immeasurable makes up the lifeof a community. In this work, Abt encourages the inclusion of the "soul's" concerns when planning a community's future. Invaluable for me is the appendix of the book which maps the consciousness of Western Civilization from a mythopoeic impulse to the rationalization of the enlightenment. In the loss of the mythopoeic was a major loss of the sensibility of auctothony ( the sense that humans emerged from the earth) which afforded human cultures the capacity to find integration with the universal. Though he notes the displacement of "pagan" beliefs by Roman Catholicism he illustrates the forms which persisted in folk culture, i.e. belief in the fairies, the bears or storks brought the baby, etc. In his mapping of Western consciousness he notes that the enlightenment, the development of science and the resultant industrial age perhaps have, finally, locked the gates to Eden. Perhaps, if the teachings for the soul simply are hidden away as Ananda K. Coomaraswamy writes in the ark of fairy tales then the soul does adhere to the laws of physics: E=MC2.
Sách được viết bởi Bởi: Léturgie
The Resolution: I think this book could have been about 30 times better if the author hadn't tried to shoehorn in as much stuff as he did. It left me feeling a little underwhelmed at the end because everything felt rushed a bit. Still. The first 200 pages were very good.
Sách được viết bởi Bởi: Nguyễn Thanh Hoàng
This is a mountain adventure story where a bear comes into the cabin and the dog saves the girl. It is about loss and friendship. I Love the dog.
Sách được viết bởi Bởi: Lê Minh Quốc
You never forget your first Vonnegut.
I love her angel stories. The angels always seem to find some funny mischief to get into but this one was a bit more serious and all three story lines really gave a peaceful feeling about prayers being answered
And so the Overlords arrive to put the human house in order: no more war, no more poverty, no more space flight. The alien visitors are mysterious, they do not allow themselves to be seen and remain within their great ships parked above earth’s major cities, instead communicating their directives through broadcasts. But they are benign, paternal, and they share with us their knowledge and their power and lift humankind out of the competition of nations and factions and into a technological utopia. But why? And at what price? Arthur C. Clarke’s Childhood’s End is one of the core canonical works of classic science fiction; it’s on every must-read list and on the shelves of every serious fan of the genre. And for good reason. Despite the initial situation, this is not a novel of first contact (or, not primarily about first contact), instead it tells a story on a grander, cosmological scale; the story of humanity’s future, its extinction and rebirth. It’s a novel of ideas, and difficult to review without ruining much of the pleasant surprises and logical revelations that lend this relatively simple story a timeless resonance. Childhood’s End is divided in three main sections, each advancing into the future by several decades. The first, ‘Earth and the Overlords,’ feels much like a classic short story of the time. It centers on the difficulties of the period immediately after the Overlords’ arrival, perhaps sometime in the then near future of the 1970s or 80s. The UN Secretary General, who has become the Overlord’s main instrument of policy on Earth, finds himself at odds with an anti-Overlord organization called the Freedom League, an extremest wing of which intends to resort to terrorism to resist the invader’s plans for humanity. The doubts of large segments of the population are mirrored to some extent by the Secretary General himself, who is bothered in particular by the Overlord’s unwillingness to show themselves. This section raises the core theme of the book, whether or not humanity can stand on its own, and whether it is itself an adult species, or currently undergoing a troubled adolescence. The Overlords, and Clarke, are certain the later notion is the truth, though not without qualifications or sympathy. By the end of ‘The Earth and the Overlords,’ the absolute coercive power of the Earth’s masters is established, and humanity’s new direction is underway. Fast-forward fifty years to ‘The Golden Age,’ and to a utopian, unified earth; free of want, of struggle, and even the need to work. Religion and nationalism are dead, but so is science, art, and culture. Humanity has it too easy under its new masters, and life has become safely stagnant. As one of Clarke’s characters, the inhabitant of a ‘back to basics’ colony, says: We’ve no hostility towards the Overlords: we simply want to be left alone to go our own way. When they destroyed the old nations and the way of life man had known since the beginning of history, they swept away many good things with the bad. The world’s now placid, featureless, and culturally dead: nothing really new has been created since the Overlords came. The reason’s obvious. There is nothing left to struggle for, and there are too many distractions and entertainments. Do you realize that every day something like five hundred hours of radio and TV pour out over the various channels? . . . No wonder the people are becoming passive sponges, absorbing but never creating. Did you know the average viewing time per person is now three hours a day? According to the A. C. Nielsen Co., the average American of today watches four hours a day and, when you factor in internet and other digital media, Clarke’s conclusion that “Soon people won’t be living their own lives any more” has a contemporary resonance, and suggests that, perhaps, we really are living in a science fiction world. While Clarke’s golden age has plenty of familiar elements — the change in sexual mores from the development of a birth control pill and paternity testing are just one small, concrete example of the changes Clarke foresees in this world of fifty or a hundred years in his future — it also has flying cars, deep sea colonies, and several alien technologies such as a viewer that lets one watch past events. And all of this is fascinating reading, told as it is with logic and inventiveness while raising even greater mysterious about the Overlord’s mission, and ultimate cosmic truths that remain hidden just beneath the surface of things. While there are a few characters to ground the plot (the most interesting of which is a young astronomer who decides to do something about pursuing his dream of the stars despite the Overlord ban), Childhood’s End is really about the future sweep of human history as a whole. By the time of ‘The Last Generation,’ something radical has occurred to transform humanity out of all recognition. It is the thing the Overlords have been waiting for, what they saved us from ourselves to realize. And it is, quite frankly, chilling to contemplate, and in scale it dwarfs all our human notions of existence. Clarke achieves a real sense of cosmic sweep here, of a minute intelligence encountering the vastly inconceivable truths of space and time. In the end, one wonders just how much of Childhood’s End is Clarke truly advocating, and how much has just grown from the logic of the story. Clarke does have the ability to be coolly dispassionate, almost ruthless, when focusing on the big picture, and I do not deny his sincerity when he suggests that humankind will destroy itself if it remains unchecked. But it is also apparent that he keenly feels the loss to human society when it undergoes its several transformations over the course of the novel. I think the answer must be that Clarke, like any good writer, embodies both notions and sees the positives and negatives inherent in each — and in the end goes where the story dictates. What the reader must decided is, does Childhood’s End represent mankind’s apotheosis, or apocalypse? But this was a book written over fifty years ago, and Clarke’s opinions on certain aspects of it have changed over time. One surprising element for fans of Clarke is that various supernatural elements, such as ghosts and psychic abilities, are given some credence and are actually integral to the direction of the plot. Clarke himself has said that he no longer agrees with his earlier notions of such phenomena, but that doesn’t diminish the impact of the novel. It has been said that science fiction is the literature of ideas, and also that its central tenet is change. Childhood’s End embodies both notions perfectly, and is one of the defining works from one of the genre’s master storytellers. If you liked this review, be sure to check out my review site, DEEP DOWN GENRE HOUND
Sách được viết bởi Bởi: Nhóm bút Lovedia
27 chapters posted
Sách được viết bởi Bởi: Quách Thành
riddled with cliches and boring, nowhere near as good as a fine balance. I gave up after 50 pages.
Sách được viết bởi Bởi: Trung Nghĩa
Gerçeğe tam doğruluktan bağımsız olarak, bu iyi bir hikaye ve ölümden hayatta kalmak için ilham verici irade gösteriyor.
Người dùng coi những cuốn sách này là thú vị nhất trong năm 2017-2018, ban biên tập của cổng thông tin "Thư viện Sách hướng dẫn" khuyến cáo rằng tất cả các độc giả sẽ làm quen với văn học này.