Nắng Phơi Trắng Xóa tải về miễn phí cuốn sách

Erica Poat ericapoat — It's in the cue~

John Dervishi _ohn_ervishi — More drama and comedy in this series. Can't wait to learn more about Ren's past.

Brandon Beichler bbeichler — ** spoiler alert ** It was different from the other books. It was kind of a mystery because they wanted to figure out who put his name in the goblet! The ending was awesome! When Voldemort came back, Cedric died and harry won, was so cool!

Aiman Abdel-samad aiman — اگرچه سوزان سونتاگ در ایران بیشتر به یک منتقد ادبی و اجتماعی نویس معروف است، و در این زمینه ها کارهای بزرگی تالیف کرده، اما رمان های سونتاگ کارهای زیبایی ست که ندیده یا نشنیده ام به فارسی ترجمه شده باشد. روشن نیست چرا بجز چند مقاله، آثار او به فارسی برگردانده نشده. سوزان سونتاگ از روشنفکران آمریکایی دهه ی 1960 است، با همان دید رادیکال نسبت به جوامع غربی. بعدها به شکلی از آمریکا زده شد و به تبعیدی خودخواسته به اروپا، سوئد و بعدن فرانسه رفت. سال های اقامت سونتاگ در اروپا یادآور زندگی بسیاری از نویسندگان نسل پیش از او هم چون همینگوی است که بخشی از دوران جوانی و میانسالی شان را در اروپا و عمدتن فرانسه گذراندند. اگرچه سونتاگ در میان دانشگاهیان و در رسانه ها بیشتر به یک روشنفکر نق نقو و ایرادگیر معروف است، با این همه نمی توان از نقش او به عنوان یک زن نویسنده در روند تفکر دایره ی روشنفکری آمریکایی ها چشم پوشید.

Jenny Kan _enniness — I didn't love this as much as I thought I would. Beautifully written, but the story didn't quite developed the way I wanted it to.

Gene Shkolnik gshkolnik75b1 — I read all of the Archer books some thirty-five years ago, and since then I have been under the impression that none of the books until The Galton Case was worthy of attention. I was wrong. True, The Moving Target (Archer #1) lacks a family tragedy with haunted children that is the hallmark of later Archer, and it also lacks a disciplined series of images--both in metaphor and in the visuals evoked by the narrative--that carry us to the heart of the classic Archer tale. Still, there's enough here to make it worth your while. The fringes of Hollywood are handled with flair (a sleazy piano bar with B-girls and a coke-head soloist, plus a has-been actress--and former S&M club mistress of ceremonies--turned astrologer/grifter), Archer's narrative voice is spare, elegant and already close to perfect, the imagery is precise, and the picture of a money-obsessed Southern California society living off the energy of countless anonymous Mexicans and Filipinos is very well done. I thought the first and last part of the book were better than the middle (which relies a little too much on cliches of the genre), but this is still the work of a fine genre writer, well on his way to becoming a master.