Giúp Học Tốt Toán THCS - Hình Học 8 tải xuống LIT miễn phí

Ramenkat Ramenkat miaryang67f7 — Started out fairly well but got boring as all get out about 2/3 of the way through. All the back and forth about these families in Tennessee...blah blah blah.

Samuel Vazquez samvazquez — For those of us who feel that Joni Mitchell is the world's greatest living artist, AND the greatest Canadian who's ever lived, this book would seem to be a must-read. Sadly, this biography contains so many errors, both in fact and typography, that any longtime fan of Joni's will become annoyed fairly quickly. All of which is not to say that Ms. Mitchell's legion of fans will not enjoy reading Brian Hinton's effort. Joni makes for a fascinating subject, and her life has been as full of incident as any celebrity's out there. Still, one turns the last page of this book feeling that there should've been more; that we still don't know what makes Joni "tick"; that there are huge gaps that have gone unrecorded. Mr. Hinton, having been limited, schoolboy fashion, by what the libraries and old publications could provide, and not having done ANY original interviews himself, sheds no light on Joni that hasn't been shed before. He merely provides the useful service of compiling dozens of old articles and interviews and putting them together in a nice, readable order. And while it is always interesting to hear another Mitchell fan's views on her work, Hinton's interpretations, while at times dead-on and insightful, are often strained and ludicrous. (Are we really to believe, for example, that in Joni's painting for the front cover of "Clouds," the flower is "a cross between a lily and a poppy...some kind of Canadian hybrid, or a plant invented by Mitchell herself, playing God," and thus her way of offering us a clue to the album's theme: paradox?) On the up side, there are some anecdotes that I, a Joni fan of some 40 years, had never heard before, but these nuggets are more than counterbalanced by the remarkable carelessness with which the book has been put together. The errors in this book are legion!!! Space does not permit me to go into the dozens and dozens of goofs, but any longtime fan of Ms. Mitchell's will quickly spot them. So when all is said and done, Hinton's work remains a book that all Joni's fans should read and get annoyed at. Any of these fans will enjoy the book up to a point, as long as they don't go in expecting the work of, say, a Donald Spoto. Ms. Mitchell deserves THAT kind of treatment, but, to paraphrase the words of another great songwriter, Sammy Cahn, this will have to do until the real thing comes along...

Ingyo Ham dlsry0652b4 — This book tackles life in contemporary England where immigrants attempt to assimilate into a staid,strict society and where families, as all over the world, grapple with making peace with each other as young generations adopt technology, lose traditional norms, and confuse modernity-in-all-things with progress. It is a much bolder book than it appears.

Thuy Anh tanhsilk96b69a — Friedman is a historian of analytic philosophy, and reads Kant's 3 periods--pre-critical, critical, post-critical--as a development towards the telos of the foundations of mathematics in the early 20th century and debates concerning this in contemporaenous philosophy. It's a very useful book for references and for getting an idea of how a certain type of argument about the history of analysis might be constructed. But it doesn't push issues and implications far enough, given, I suppose, its lack of interest in philological concerns. E.g. I haven't yet seen how the moral and aesthetic philosophy fits into his picture of "Kant", and Lambert, the non-Euclidean geometer to whom Kant was to dedicate his first Critique, is not mentioned at all. Author is influenced by Ricketts, Hintikka ...