Ngữ Pháp Tiếng Nhật tải xuống LIT miễn phí

Paraleloz Digital paralelozdigital — This book is fantastic, with amazing, colorful characters!

Y Jin molian — I like this book immensely. Juliet Blyth is not very original (her books are just bits of a bunch of different Georgette Heyers mashed together) but I still love this one anyway. Something about having a blind heroine makes it just enough different from your average Regency romance. This book definitely belongs to the re-read-on-a-cold-drizzly-day group.

Guiseppe Guillet thomasguillet — Wow! Can I first say that this has been by far my favorite book of this series! I couldn't put it down - very nicely done Ms. Fitzpatrick! I will say that I entered it with some trepidation (mild spoilers from here on out) - * * * * * * * * Mostly because the premise was that Nora has all her memory erased, so it's as if the previous books didn't happen. I groaned, thinking that this was a total cop-out/cliche so that a new romance between the same old character could be written... but I was pleasantly surprised & happy to be proven wrong! Yes, Nora looses her memory, but this actually adds a nice fat layer of tension to things (especially re: her mom's new BF), AND as soon is it's reasonably possible, Patch is back in the picture & Nora begins to remember things. It wasn't just a rehash of the previous books either - loads of new details came out. I really enjoyed the overall pacing & story telling. While I was not overly wow'd by Hush Hush, Silence is fantastic and has really shown Becca Fitzpatrick's growth in story telling & yes, I completely adore her characters now. Also, the bonus chapter at the end told from Patch's POV was very nice. :) Now, please to hurry up and write the next one! You can't leave me hanging like this! Read on my Color Nook - good presentation and formatting.

Gerardo D gerardodmf030 — Second in a trilogy...I'm really enjoying this set. I like the "doors between worlds" aspect, and the fusion of modern corruption and its influence on Celtic mythology.

Jon Lipp jonny_ipps — David Lodge remains the preeminent representative of the satirical wing of the "campus novel" (along with Malcolm Bradbury, Howard Jacobson and Kingsley Amis, who in a sense laid down the template with Lucky Jim but got out early). Though the genre term sounds a bit limiting, Lodge has derived a large body of hilariously funny, sociologically insightful writing out of a quite contained set of materials. It seems mostly no one troubles to write compellingly about the pains and indignities of aging until they reach that point in their own life. Lodge (now 74) adds a moving portrayal of his own increasing deafness (not just a by-product of age, as it has been worsening since his late 40s), so this book is more "serious" than some of his prior work. Emulating Shakespeare's magic wood, where the physical displacement of the characters from their daily lives allows unexpected and transformative things to happen, Lodge has often used traveling to academic conferences to similar ends. In keeping with the sometimes sombre tone of this book, the central character makes a visit to Auschwitz while on a lecture tour of Poland. This proves (as you might expect) an almost inassimilable experience but does to some extent put his own problems "in perspective".