Yêu Em Bằng Cả Trái Tim Anh (Tái Bản 2017) tải xuống LIT miễn phí

Rain Allikvee rafelio — I enjoyed this YA book. The main character, Terra, has a port-wine stain on her face and this book follows her on her discovery of who she is and what true beauty is. I would have given it 4 stars except the author overused the map analogy throughout (Terra's father is a cartographer), but I did enjoy learning about geocaching.

Ty Kisse tanya_kisse — In this idiosyncratic masterpiece, Fowler dedicated himself to discussing (sometimes pedantically, sometimes whimsically, always insightfully) how and why we use and misuse a few thousand English words, one of which is "one." Fowler's discussion of "one" goes on for 3+ pages and includes a section on what he calls the "false first-person one," in which "one" uses "one" instead of/in place of "I." In 1944, Fowler noted the presence of the "false first-person one" only in journalism, where "it enables the self-conscious journalist to be impersonal & personal at once;...here is what he has longed for: the cloak of generality that will make egotism respectable." Fowler insisted that "the journalist should make up his mind that he will, or that he will not, talk in the first person, & go on the sound assumption that one & one's do not mean I & me & mine," and hoped for the "suppression [of the false first-person one:] before it can develop further." 60+ years later, journalists seem to have suppressed it well enough, but the "false first-person one" presently infests the "formal writing" of elementary, middle, and high school students. Way too many "language arts" teachers (thoughtlessly/ridiculously) demand that their students eschew the first peron in favor ot "false first-person ones" in their essays and compositions. As a high school teacher who loathes the "false first-person one," when I read a "formal paper" sprouting such nonsense as "One ate one's dinner" instead of/in place of "I ate my dinner," I give the author a very low diction score on the modified 6+1 rubric we use in the department, and, like Fowler, hope. Anyway, if you like this sort of stuff, Fowler's A Dictionary of Modern English Usage gives you a lot of it.

Hakon Agustsson _mage_ee — Quick read. Fun book.

Junior Leon leonpdx — I was under the impression this book was a mystery/thriller. The summary on the back cover made it seem so - and the first 80 pages or so seemed to confirm. Then Mac meets God. No really. He actually meets God. And Jesus. And the Holy Spirit. This is no metaphor, dream, or hallucination, folks. Its the "real" deal. Mac and The Trinity proceed to have a philosophical discussion about man's relationship with God that takes up most of the rest of the book. The only reason I didn't quit reading immediately upon the realization that the author inteded I actually believe such an exchange occured, was to see Mac come to some kind of peace with his daughter's death. If you are pretty solidly Christian or spend your weekends engrossed in theology, this book may be for you. If you are Jewish, Pagan, Buddhist, Agnostic, Atheist or anything else, I suggest you keep your receipt.

Pratt Institute _ratt_ — This is not the usual type of Clements novel. It started out less flashy, and slower, dialogue-wise, than most of his books. The drama he builds over the hidden secrets in the school grabs you by the end, and in the last half of the book he begins to build convincing friendships and rivalries which should prove to be the gel that makes this series even more compelling. When I came to the last page, I WAS disappointed that this was a series, and I had to wait for the next installment. Great editing...leave'em wanting more. Recommended for readers aged 8-12. Benjamin Pratt and Jill Acton are 6th graders.